World/Reggae
LPレコード

La Cuna

5.0

販売価格

¥
5,290
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2020年07月中旬
国内/輸入 輸入
レーベルCoast To Coast
構成数 1
パッケージ仕様 -
規格品番 CTI9002
SKU 4260019715104

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Ray Barretto (congas, percussion); Willy Torres (vocals); Joe Farrell (tenor & soprano saxophones, flute); Carlos Franzetti (piano); Charlie Palmieri (piano, percussion); Jeremy Wall, Suzanne Ciani (synthesizers); John Tropea (guitar); Francisco Centeno (bass); Steve Gadd, Mark Craney (drums); Tito Puente (timbales). Reissue Producer: Didier C. Deutsch. Recorded at Van Gelder Studios, Hackensack, New Jersey in August 1979. Includes liner notes by Arnold Jay Smith. Digitally remastered by Chris Herles (Sony Music Studios, New York). Producer Creed Taylor has inspired everything from praise to anger among jazz fans. His work has been brilliant at times, detrimental at others (his worst flaw being a tendency to overproduce). Taylor plays a mostly positive role on La Cuna, a jazz-oriented effort uniting Ray Barretto with such first-class talent as Tito Puente (timbales) and the late Joe Farrell (tenor & soprano sax, flute). As slick as things get at times on La Cuna, Taylor wisely gives the players room to blow on everything from the haunting "Doloroso" and the driving "Cocinando" (a piece by Carlos Franzetti that shouldn't be confused with Barretto's major salsa/cha-cha hit) to a somewhat Gato Barbieri-ish take on Mussorgsky's "The Old Castle." Barretto successfully moves into soul territory on Stevie Wonder's "Pastime Paradise" (which rapper Coolio recast as his hit "Gangsta's Paradise" in 1994). Barretto may hate the term "Latin jazz," but make no mistake: La Cuna is one of his most memorable contributions to that genre. ~ Alex Henderson
エディション : Reissue

  1. 1.[LPレコード]

作品の情報

メイン
アーティスト: Ray Barretto

ゲスト
アーティスト: Tito PuenteJeremy WallSteve GaddCharlie PalmieriJoe FarrellJohn Tropea

商品の紹介

Producer Creed Taylor has inspired everything from praise to anger among jazz fans. His work has been brilliant at times, detrimental at others (his worst flaw being a tendency to overproduce). Taylor plays a mostly positive role on La Cuna, a jazz-oriented effort uniting Ray Barretto with such first-class talent as Tito Puente (timbales) and the late Joe Farrell (tenor & soprano sax, flute). As slick as things get at times on La Cuna, Taylor wisely gives the players room to blow on everything from the haunting "Doloroso" and the driving "Cocinando" (a piece by Carlos Franzetti that shouldn't be confused with Barretto's major salsa/cha-cha hit) to a somewhat Gato Barbieri-ish take on Mussorgsky's "The Old Castle." Barretto successfully moves into soul territory on Stevie Wonder's "Pastime Paradise" (which rapper Coolio recast as his hit "Gangsta's Paradise" in 1994). Barretto may hate the term "Latin jazz," but make no mistake: La Cuna is one of his most memorable contributions to that genre. ~ Alex Henderson
Rovi

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何が良いって聴きやすい。50年代からラテン・コンゴ奏者の第一人者として不動の地位を築いたレイ・バレット師匠のCTIリリース人気作。①こそストリクトリーなラテンですが、スティービーワンダーのカバー「Pastime Paradise」である⑤や④はCTIらしい心地よさ/流麗さを纏ったラテン・フュージョンの好盤に仕上がっております。
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