Evolution Revolution

構成数 : 1枚
合計収録時間 : 01:06:12
The Headhunters: Paul Jackson (vocals, bass); Mike Clark (drums); Bill Summers (percussion) Additional personnel includes: Bennie Maupin (saxophone, bass clarinet); Donald Harrison (saxophone); Nicholas Payton (trumpet); Wah Wah Watson (guitar); Harvey Mason (drums); Vinx (percussion). Producers include: Bill Summers, Paul Jackson, Mike Clark, Harvey Mason, Victor Atkins. Personnel: Paul Jackson, Jr. (vocals, Clavinet, organ); George Porter, Jr. (vocals); June Yamagishi, Bill Solley, Shinji Shiotsugu, Samba Ngo, Wah Wah Watson (guitar); Donald Harrison, Bennie Maupin (alto saxophone, tenor saxophone); Aaron Fletcher (alto saxophone); Irvin Mayfield (trumpet); Ronald Markham (piano, keyboards); Victor Atkins, Nicholas Payton (piano); Harvey Mason, Jr. (keyboards); Edwin Livingston (acoustic bass); Harvey Mason, Sr. , Mike Clark (drums); Bill Summers (percussion, background vocals). Audio Mixers: Mike Clark ; Paul Jackson, Jr. ; Bill Summers. Recording information: Bilsum Music House; Digital Studio; Masong Studios; Music Madness; Side 1 Studios; Stankfish Studio. Only two members, percussionist Bill Summers and bassist Paul Jackson, remain from the band that backed Herbie Hancock on his 1973 Head Hunters album, which simultaneously breathed life into the flabby and already moribund jazz fusion genre and demonstrated that jazz recordings could actually make money. But the band's attitude of joyful eclecticism and funky exuberance that animated the first project is still there (even if Hancock isn't), and it is abundantly apparent on Evolution Revolution. That's not to say that every track is essential; on the contrary, Jackson's vocals on "God Made Me Funky" are rather lame, "Everything" is nothing special, and the one-chord blues of "Fonkyfried" manages somehow to be simultaneously abrasive and boring. But almost every other track is a rich, fragrant stew of percolating beats and variegated musical elements, from the harmonic complexity of the horn charts on "Loft Funk" to the gorgeous African polyphony on the chorus of "Yekola" and the bouncing, layered rhythms of "Nutcracker." As with so many releases on the Basin Street label, there is an overall feeling of warmth and joy to this album that keeps you hooked even through its less than essential moments. Recommended. ~ Rick Anderson
録音 : ステレオ (Studio)