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SACDハイブリッド

バーンスタイン: ウェスト・サイド・ストーリー(コンプリート・ブロードウェイ・スコア版）

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フォーマット SACDハイブリッド
発売日 2018年06月20日
国内/輸入 輸入
レーベルSFS Media
構成数 2
パッケージ仕様 -
規格品番 SFS0059
SKU 821936005927

構成数 : 2枚
合計収録時間 : 01:22:34
Lyricist: Stephen Sondheim. Liner Note Authors: James M. Keller; Larry Rothe; Jamie Bernstein; Rita Moreno; Michael Tilson Thomas . Recording information: Davies Symphony Hall, San Francisco (06/27/2013-07/02/2013). Photographer: Stefan Cohen. Presented with the idea of a West Coast West Side Story, you might imagine some kind of unorthodox interpretation, but in fact this 2013 production, recorded live (and recorded very well indeed) for the San Francisco Symphony's in-house label falls squarely into traditions laid down by the work's composer, Leonard Bernstein. This is not to say that conductor Michael Tilson Thomas follows Bernstein's own recording of the Romeo and Juliet tale of the Sharks and the Jets, which had a heavily operatic tinge: this is a Broadway-style recording, not an operatic one, and the vocal qualities of Cheyenne Jackson as Tony and Alexandra Silber as Maria are not too far from those in the hit soundtrack recording of the 1960s. Instead, it is Bernstein the composer who is the star of Tilson Thomas' show. Unlike the works of other Broadway composers who wrote tunes and left assistants to fill in conventional orchestration, Bernstein often made the orchestra a key partner in the action, and Tilson Thomas captures such details as the small keyboard line in "Maria" (perhaps a celesta) that is swallowed up in live performances and recordings. Tilson Thomas, like Bernstein, is comfortable with the variety of pop rhythms in the show, and the end result is a recording that really represents the best of both worlds. Highly recommended. ~ James Manheim

『バーンスタイン: ウェスト・サイド・ストーリー(コンプリート・ブロードウェイ・スコア版/世界初録音)』

【演奏】
マイケル・ティルソン・トーマス(指揮)
サンフランシスコ交響楽団
サンフランシスコ交響合唱団
シャイアン・ジャクソン(トニー)
アレクサンドラ・シルバー(マリア)
ジェシカ・ヴォスク(アニタ)
ケヴィン・ヴォートマン(リフ)
ジュリアナ・ハンセン(ロザリア)
キャシー・シモーネ(フランチスカ)
ルイーズ・コーニレズ(コンスェーロ)
ジャスティン・キース(アクション)
ザック・フォード(ディーゼル)
クリス・マイスナー(ベイビー・ジョーン)
ルイス・パルド(A-ラブ)
デイヴィッド・マイケル・ラッフィー(ビッグ・ディール)
ケリー・マークグラフ(ベルナルド)
ジュリア・ブロック(少女)

【録音】
2013年6月27日-30日&7月2日、デイヴィス・シンフォニー・ホール(サンフランシスコ、アメリカ)(ライヴ)

  1. 1.[SACDハイブリッド] DISC 1:
    1. 1.
      West Side Story~Act 1. Prologue
    2. 2.
      West Side Story~Act 1. Jet Song
    3. 3.
      West Side Story~Act 1. Something's Coming
    4. 4.
      West Side Story~Act 1. The Dance at the Gym. Blues
    5. 5.
      West Side Story~Act 1. The Dance at the Gym. Promenade
    6. 6.
      West Side Story~Act 1. The Dance at the Gym. Mambo
    7. 7.
      West Side Story~Act 1. The Dance at the Gym. Cha-Cha
    8. 8.
      West Side Story~Act 1. The Dance at the Gym. Meeting Scene
    9. 9.
      West Side Story~Act 1. The Dance at the Gym. Jump
    10. 10.
      West Side Story~Act 1. Maria
    11. 11.
      West Side Story~Act 1. Balcony Scene, Tonight
    12. 12.
      West Side Story~Act 1. Only You
    13. 13.
      West Side Story~Act 1. America
    14. 14.
      West Side Story~Act 1. Cool
    15. 15.
      West Side Story~Act 1. One Hand, One Heart
    16. 16.
      West Side Story~Act 1. Tonight
    17. 17.
      West Side Story~Act 1. The Rumble
  2. 2.[SACDハイブリッド] DISC 2:
    1. 1.
      West Side Story~Act 2. I Feel Pretty
    2. 2.
      West Side Story~Act 2. Ballet Sequence. Allegro agitato
    3. 3.
      West Side Story~Act 2. Ballet Sequence. Lo stesso tempo
    4. 4.
      West Side Story~Act 2. Ballet Sequence. Adagio
    5. 5.
      West Side Story~Act 2. Ballet Sequence. Scherzo
    6. 6.
      West Side Story~Act 2. Ballet Sequence. Somewhere
    7. 7.
      West Side Story~Act 2. Ballet Sequence. Procession & Nightmare
    8. 8.
      West Side Story~Act 2. Ballet Sequence. Adagio
    9. 9.
      West Side Story~Act 2. Gee, Officer Krupke
    10. 10.
      West Side Story~Act 2. A Boy Like That
    11. 11.
      West Side Story~Act 2. I Have a Love
    12. 12.
      West Side Story~Act 2. Change of Scene
    13. 13.
      West Side Story~Act 2. Jukebox, Taunting Scene
    14. 14.
      West Side Story~Act 2. Finale

作品の情報

メイン

その他
演奏者： Cheyenne Jackson
プロデューサー： Jack Vad

商品の紹介

アメリカ西海岸の名門、サンフランシスコ交響楽団(SFS)とマイケル・ティルソン・トーマス(MTT)。MTTの師レナード・バーンスタインの名作ミュージカル「ウェスト・サイド・ストーリー」の、“コンプリート・ブロードウェイ・スコア版/世界初録音”!

主役の2人に、アメリカの人気TVドラマ「グリー」で知られる俳優・歌手のシャイアン・ジャクソン(トニー役)、2011年にブロードウェイ・デビューを果たしたアレクサンドラ・シルバー(マリア役)を迎えた豪華キャスト。SACD2枚組みに100ページのブックレットを封入した豪華パッケージ。そして、幾度もグラミー賞に輝いたMTT&SFSのハイ・パフォーマンスと超高音質録音。バーンスタインの愛弟子ティルソン・トーマスが贈る、まさに21世紀の決定盤となる「ウェスト・サイド・ストーリー」です!
東京エムプラス
発売・販売元 提供資料（2014/05/12）

Presented with the idea of a West Coast West Side Story, you might imagine some kind of unorthodox interpretation, but in fact this 2013 production, recorded live (and recorded very well indeed) for the San Francisco Symphony's in-house label falls squarely into traditions laid down by the work's composer, Leonard Bernstein. This is not to say that conductor Michael Tilson Thomas follows Bernstein's own recording of the Romeo and Juliet tale of the Sharks and the Jets, which had a heavily operatic tinge: this is a Broadway-style recording, not an operatic one, and the vocal qualities of Cheyenne Jackson as Tony and Alexandra Silber as Maria are not too far from those in the hit soundtrack recording of the 1960s. Instead, it is Bernstein the composer who is the star of Tilson Thomas' show. Unlike the works of other Broadway composers who wrote tunes and left assistants to fill in conventional orchestration, Bernstein often made the orchestra a key partner in the action, and Tilson Thomas captures such details as the small keyboard line in "Maria" (perhaps a celesta) that is swallowed up in live performances and recordings. Tilson Thomas, like Bernstein, is comfortable with the variety of pop rhythms in the show, and the end result is a recording that really represents the best of both worlds. Highly recommended. ~ James Manheim
Rovi

Presented with the idea of a West Coast West Side Story, you might imagine some kind of unorthodox interpretation, but in fact this 2013 production, recorded live (and recorded very well indeed) for the San Francisco Symphony's in-house label falls squarely into traditions laid down by the work's composer, Leonard Bernstein. This is not to say that conductor Michael Tilson Thomas follows Bernstein's own recording of the Romeo-and-Juliet tale of the Sharks and the Jets, which had a heavily operatic tinge: this is a Broadway-style recording, not an operatic one, and the vocal qualities of Cheyenne Jackson as Tony and Alexandra Silber as Maria are not too far from those in the hit soundtrack recording of the 1960s. Instead it is Bernstein the composer who is the star of Tilson Thomas' show. Unlike the works of other Broadway composers who wrote tunes and left assistants to fill in conventional orchestration, Bernstein often made the orchestra a key partner in the action, and Tilson Thomas captures such details as the small keyboard line in "Maria" (perhaps a celesta) that is swallowed up in live performances and recordings. Tilson Thomas, like Bernstein, is comfortable with the variety of pop rhythms in the show, and the result is a recording that really represents the best of both worlds. Highly recommended.
Rovi

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