Voices

構成数 : 1枚
合計収録時間 : 00:44:02
Hall & Oates: Daryl Hall (vocals, mandar, keyboards, vocodor, synthesizer, percussion); John Oates (vocals, guitar, percussion). Additional personnel: G.E. Smith, Jeff Southworth (guitar); Charlie Dechant (saxophone); Ralph Schuckett (organ); Mike Klvana (synthesizer); John Siegler (bass); Jerry Marotta (drums); Chuck Burgi (drums, percussion). Recorded at The Hit Factory and Electric Lady Studios, New York, New York. Personnel: Daryl Hall (vocals, mandar, keyboards, vocoder, percussion); John Oates (vocals, guitar, percussion); Jeff Southworth, G.E. Smith (guitar); Charlie Dechant (saxophone); Ralph Schuckett (organ); Mike Klvana (synthesizer); John Siegler (bass); Jerry Marotta (drums); Chuck Burgi (drums, percussion). Recorded at The Hit Factory and Electric Lady Studios, New York. All songs written or co-written by Daryl Hall and John Oates except "You've Lost That Lovin'Feeling" (Phil Spector/Barry Mann/Cynthia Well). Personnel: John Oates (vocals, 6-string guitar, 12-string guitar, percussion); Daryl Hall (vocals, keyboards, synthesizer, vocoder, percussion); G.E. Smith (guitar); Charlie DeChant (saxophone); Chuck Burgi (drums, percussion); Jerry Marotta (drums). Audio Mixer: Neil Kernon. Recording information: Electric Lady Studios, NYC; The Hit Factory, NYC. Photographers: Masashi Kuwamoto; Ebet Roberts. Arrangers: Daryl Hall; G.E. Smith; Jerry Marotta; John Oates; John Siegler; Charlie DeChant; Chuck Burgi. Hall and Oates' (sort of) New Wave album, VOICES may not be a timeless classic but it's certainly one of the best pop albums of the early '80s, with nearly every song a tuneful, concise, well-crafted gem. In retrospect, the album's first hit, a cover of the Righteous Brothers' "You've Lost That Lovin' Feeling," is actually somewhat misrepresentative; nothing else here is as retro or bombastic. More typical is the opening "How Does It Feel," a big sounding yet spare piece of twelve-string folk rock by way of the REVOLVER-era Beatles. There's also the ebullient pop soul of "Kiss on My List" and the cleverly self-referential neo-'50s street corner harmonizing of "Diddy Doo Wop (I Hear the Voices)."