Songs Cycled

Legendary for his skill with arrangement as well as the rich sonic choreography of his productions, producer/songwriter Van Dyke Parks' unique voicings are never more densely detailed than on records issued under his own name. Beginning in 2011, Parks began releasing a series of 7" singles that showcased unreleased material spanning both archives and newly recorded songs, including both covers and re-recorded versions of earlier solo work. Songs Cycled collects the 12 tracks featured on those 7"s, fitting cohesively in album form, despite the fact that some songs were written or even recorded decades apart from the others. Opening with the intricate instrumental theme "Wedding in Madagascar," Parks pulls no punches about just how ornate his sounds can be, as brass sections, strings, mandolin, spare percussion, and even smooth electric guitar all zigzag around counter-melodies and time signatures in a wobbly but joyous march. Parks' own dusty, everyman vocals grace tunes like the romantically nostalgic "Dreaming of Paris" and accordion-heavy old-timey love song "Sassafrass." He revisits "The All Golden" from his 1968 solo album Song Cycle, reworks a '90s collaboration with Brian Wilson on "Hold Back Time," and even dips into some archival recordings. Much like Parks' '70s solo work on Discover America and Clang of the Yankee Reaper, the songs on Songs Cycled offer up a sometimes impenetrably busy type of Americana. It's one unique to Parks, a tendency to blend so many ideas and styles, stacking them flawlessly on top of one another, that any of the isolated elements of any given song could stand on its own by most pop standards. Sometimes the results are dizzyingly obtuse, as on the stuttering and shifting "Missin' Mississippi" or the classically flavored folk tale of "Black Gold." Much like Parks' work with the Beach Boys, Joanna Newsom, or more appropriately his fantastical film scores, the impossibly orchestrated compositions on Songs Cycled are constantly unraveling and being wound back in, making them a little bit hard to keep up with at times, but something amazing to behold nonetheless. ~ Fred Thomas|

文句なしに素晴らしい。2011年に自主レーベルから6枚連続でリリースされた7インチをまとめた本作は、純然たるソロ名義としては23年ぶりのアルバムだ。ここで描かれるのは、西部開拓期からジャズ・エイジあたりまでの、夢と希望に浮き立っていた古き良きアメリカの原風景。すでに失われた黄金色のランドスケープを、幾多のルーツ音楽を巧みに織り交ぜたノスタルジックなオーケストラル・ポップに仕立て、鮮烈な音像として蘇らせている。タイトルは68年のデビュー作『Song Cycle』を思わせるが、そこに漂っていた母国へのシニカルな愛憎めいたものは希薄。〈ふと振り返ってみたらこの国も案外悪くないよ〉と飄々とした顔でマエストロが呟いているような、そんな印象を受けた。
bounce (C)北爪啓之