| フォーマット | CDアルバム |
| 発売日 | 2010年09月21日 |
| 国内/輸入 | 輸入 |
| レーベル | Real World Productions |
| 構成数 | 1 |
| パッケージ仕様 | デジパック |
| 規格品番 | RWPL742 |
| SKU | 180030000741 |
構成数 : 1枚
合計収録時間 : 01:06:41
This is an Enhanced CD, which contains regular audio tracks and multimedia computer files.
Personnel includes: Peter Gabriel (vocals, arranger, guitar, piano, harmonium, organ, Mellotron, keyboards, bass, drums, percussion, prgramming, samples); Nusrat Fateh Ali Khan (vocals); Richard Evans (acoustic guitar); David Rhodes (guitar, background vocals); Daniel Lanois, Peter Green, Tony Berg (guitar); John Brion (mandolin, chamberlin); Shankar (violin); The London Session Orchestra (strings); Christian Le Chevretel (trumpet); The Black Dyke Band (horns); David Sancious (Hammond B-3 organ); Danny Thompson, Tony Levin (bass); Manu Katche, Steve Gadd, Dominic Greensmith, Dave Power (drums); Richard Chappell (percussion, programming); Will White, Stephen Hague, Manhut Dominique (percussion); The Blind Boys Of Alabama (background vocals).
Producers: Peter Gabriel, Steve Osborne, Stephen Hague.
Principally recorded at Real World, Box, England; Air Lyndhurst, England; and
Hype Studios, Singapore.
"The Barry Williams Show" was nominated for the 2003 Grammy Awards for Best Male Rock Vocal Performance.
Personnel: Julian Leaper, Mark Berrow, Gavin Wright, Christopher Tombling, Rebecca Hirsch, Antonia Fuchs, Jonathan Evans-Jones, Peter Hanson , Patrick Kiernan, Boguslav Kostecki, Cathy Thompson, Jackie Shave (violin); Donald McVay, Robert Smissen, Roger Chase, Peter Lale (viola); Ben Chappell, David Daniels , Martin Loveday, Anthony Pleeth (cello); Chris Lawrence , Mary Scully (double bass); Johnny Kalsi (drums).
Audio Mixer: Tchad Blake.
Recording information: Air, Lyndhurst, England; France; Hype Studios, Singapore; Real World Studios, Box, England; Senegal.
Photographers: Kurt Hentschlager; Adam Fuss; Shomei Tomatsu; Arno Rafael Minkkinen; Ulf Langheinrich; Susan Derges; Granular Synthesis; Mari Mahr; M. Richard Kirstel; Paul Thorel; Michal Rovner.
Though much effort has obviously been put into the sonic details of UP's production, and to fine effect, the album seems to represent not so much a new direction for Peter Gabriel, but rather a consolidation of the styles he's mined in preceding years. For instance, the opening track "Darkness" combines the dark, tension-filled paranoia of Gabriel's third self-titled album with the positive, seemingly therapy-derived lyrical direction of US's "Digging in the Dirt." Similarly, the heartworn emotionality of "No Way Out" brings to mind US's "Red Rain," but adds some slinky spy-movie guitar lines.
With a decade passing since his last album of new songs, Gabriel clearly has much to say, and accordingly most tracks hover around the seven-minute mark and are filled with sophisticated, enticing touches in an agreeable electronic/organic blend. With nothing to prove anymore, Gabriel sounds appropriately unconcerned about commerciality, as the only thing that comes within shouting distance of an "accessible" track is the TV-sensationalism parody "The Barry Williams Show," whose length and gritty lyrics make it an unlikely candidate for the top 40. In the end, UP is the sound of a mature artist pursuing the perfection of his craft, giving little thought to anything but the realization of his distinctive artistic vision.
エディション : Remaster
録音 : ステレオ (Studio)
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。