Rock/Pop
LPレコード

Trompe La Monde

4.0

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フォーマット LPレコード
発売日 1991年09月23日
国内/輸入 輸入
レーベル4AD
構成数 1
パッケージ仕様 -
規格品番 FOUR710141
SKU 652637101416

構成数 : 1枚
合計収録時間 : 00:38:59
The Pixies: Black Francis (vocals, guitar); Kim Deal (vocals, bass); Joey Santiago (guitar); David Lovering (drums). Additional personnel: Eric Drew Feldman (keyboards, synthesizer); Jef Feldman (tabla, dumbek). Recorded at Master Control and Pacifique, Burbank, California, Studio Des Dames, Paris, and Blackwing, London, England. The title might be French for "fool the world," but with Trompe le Monde, the Pixies weren't fooling anyone: this was essentially Black Francis' solo debut. It focuses on Francis' sci-fi fascination and lacks any Kim Deal songs; even her backing vocals are far and few between. Yet the band sounds revitalized on Trompe le Monde, as if it were planned as their last hurrah. The raucous "Distance Equals Rate Times Time" and the explosive cover of the Jesus and Mary Chain's "Head On" are fairly straightforward, but the lyrics remain quirky on "Planet of Sound," a song about a Martian who lands on Earth, and "Palace of the Brine," a tribute to sea monkeys and Utah's Salt Lake. He even disses hipsters and pretentious students -- basically, the Pixies' fan base -- with nasty little digs like "Subbacultcha"'s "I was wearing eyeliner/She was wearing eyeliner" and "U-Mass"' "It's eduuucaaationaal!" Musically, "Trompe le Monde"'s psychedelic sheen and "Alec Eiffel"'s atmospheric keyboards prove that the Pixies' sound wasn't defined by Steve Albini-style rawness. There's also more emotional depth: "The Sad Punk" features the strangely poignant bridge "And evolving from the sea/Would not be too much time for me/To walk beside you in the sun," and "Letter to Memphis" is a heartfelt, if cryptic, love song. Though Trompe le Monde doesn't sound quite like the Pixies' other work, Come on Pilgrim's spooky beginnings, Surfer Rosa's abrasive assault, Doolittle's deceptively accessible punk-pop, and Bossanova's spacy sonics helped make Trompe le Monde a rousing swan song and a precursor to alternative rock's imminent success. Whether that means their music remained pure or they missed their chance to cash in is debatable; either way, the Pixies are one of America's greatest, most influential bands. ~ Heather Phares
録音 : ステレオ (Studio)

  1. 1.[LPレコード]
    1. 1.
      Trompe Le Monde
    2. 2.
      Planet of Sound
    3. 3.
      Alec Eiffel
    4. 4.
      Sad Punk, The
    5. 5.
      Head On
    6. 6.
      U-Mass
    7. 7.
      Palace of the Brine
    8. 8.
      Letter To Memphis
    9. 9.
      Bird Dream of the Olympus Mons
    10. 10.
      Space (I Believe In)
    11. 11.
      Subbacultcha
    12. 12.
      Distance Equals Rate Times Time
    13. 13.
      Lovely Day
    14. 14.
      Motorway To Roswell
    15. 15.
      Navajo Know, The

作品の情報

メイン
アーティスト: The Pixies

オリジナル発売日:1991年

商品の紹介

Spin (12/91) - "...As they've gotten more popular, the band has gotten more rocking AND prettier, more grandiose, stranger: better..." Q (10/91) - 4 Stars - Excellent - "...an unqualified triumph...Several of the songs here manage to combine furious garage riffing with sudden flashes of pop melody..." Melody Maker (12/91) - Ranked #19 in Melody Maker's list of the top 30 albums of 1991.
Rovi

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ピクシーズか…僕にとってのピクシーはブラックフランシス(=フランクブラック。通称ブーちゃん)ではなくドラガンストイコヴィッチ。本当に凄かった。日本に来た選手ではピカイチ。内戦が無ければ来なかったろうし欧州で大スターになってたはず。リティの次に好きだな。リティはプレーぶりが真面目だし西独最後のW杯優勝メンバーで独代表監督でもおかしくないのに貧乏なアビスパの監督だしね。全然、関係無いや…コレはラストアルバムで完成度「は」高い。最早、ノイズポップバンドで初期程、スリリングな感じは無い。
2007/08/01 QTAROさん
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