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Fifth Dimension

5.0

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フォーマット CDアルバム
発売日 2008年02月01日
国内/輸入 輸入
レーベルLegacy Recordings
構成数 1
パッケージ仕様 -
規格品番 SBMK7232582
SKU 886972325828

構成数 : 1枚
合計収録時間 : 01:02:12
The 1996 reissue of FIFTH DIMENSION includes six bonus tracks: "Why" (the B-side of the "Eight Miles High" single), "I Know My Rider (I Know You Rider)," "Psychodrama City," and alternate takes of "Eight Miles High," "Why" and "John Riley." The Byrds: David Crosby (vocals, guitar); Jim McGuinn (vocals, 12-string guitar); Chris Hillman (vocals, bass); Michael Clarke (drums). Additional personnel: Van Dyke Parks (keyboards); Gene Clark (tambourine, harmonica, vocals). Producers: Allen Stanton, Jim Dickson. Reissue producer: Bob Irwin. Recorded between December 22, 1965 and July 28, 1966. Includes liner notes by David Fricke and Johnny Rogan. All songs have been digitally remastered using a 20-Bit Super Mapping system. This is the album on which The Byrds truly exploded. They had already introduced the mainstream to a young folk singer named Bob Dylan by taking an electrified "Mr. Tambourine Man" to #1. They introduced California folk-rock to the masses, breaking ground for the likes of the Mamas & Papas and the Turtles. With FIFTH DIMENSION, The Byrds planted the seeds of psychedelia--and not just the San Francisco kind--in pop culture. The gray, dark trip of the Velvet Underground and the fuzzed-out minimalist boogie of such garage heroes as Count Five and the 13th Floor Elevators can also be found within these grooves. FIFTH DIMENSION recognized that musical higher consciousness had to be manifested in a dark side as well as a brighter one. Gene Clark's departure from the band prior to these recording sessions, and the decision not to cover any Bob Dylan songs, streamlined the Byrds' sound and made the group's vision clear. "Eight Miles High," a highly-charged sonic release, evokes both VU's "Heroin" and John Coltrane's jazz explosions. The higher consciousness of "Eight Miles High," the harmony-driven stomp of "2-4-2 Fox Trot," and the CCR-meets-Stax boogie of "Captain Soul," all drenched in heavy guitar distortion, were unlike anything the pop world had heard. For the next three years, sounds inspired by FIFTH DIMENSION would make up the soundtrack of a cultural revolution.
エディション : Reissue
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      5D (Fifth Dimension)

      アーティスト: The Byrds

    2. 2.
      Wild Mountain Thyme

      アーティスト: The Byrds

    3. 3.
      Mr. Spaceman

      アーティスト: The Byrds

    4. 4.
      I See You

      アーティスト: The Byrds

    5. 5.
      What's Happening?!?!

      アーティスト: The Byrds

    6. 6.
      I Come and Stand at Every Door

      アーティスト: The Byrds

    7. 7.
      Eight Miles High

      アーティスト: The Byrds

    8. 8.
      Hey Joe (Where You Gonna Go)

      アーティスト: The Byrds

    9. 9.
      Captain Soul

      アーティスト: The Byrds

    10. 10.
      John Riley

      アーティスト: The Byrds

    11. 11.
      2-4-2 Fox Trot (The Lear Jet Song)

      アーティスト: The Byrds

    12. 12.
      Why

      アーティスト: The Byrds

    13. 13.
      I Know My Rider

      アーティスト: The Byrds

    14. 14.
      Psychodrama City

      アーティスト: The Byrds

    15. 15.
      Eight Miles High

      アーティスト: The Byrds

    16. 16.
      Why

      アーティスト: The Byrds

    17. 17.
      John Riley

      アーティスト: The Byrds

1966年発表

作品の情報

メイン
アーティスト: The Byrds

ゲスト
アーティスト: Gene ClarkVan Dyke Parks

オリジナル発売日:1966年

商品の紹介

1966年リリースのサードアルバム。サイケデリック・ロックの先駆的な作品(7)によってより幅広い層に聴かれた作品。ロジャー・マッギン本人も公言しているジョン・コルトレーンから影響を受けたギター奏法は独創的でまさに8マイル先まで飛ばされそうなトリップ感が漂う。(4)、(5)のギターフレーズも妖艶。ドラッグソングとして放送禁止になるほど当時の問題作であった (C)竹森晋一
タワーレコード(2020/05/12)

前作でフォーク・ロックの完成を見た彼等は新たなサウンドを模索し始める。それは「霧の8マイル」に代表されるようなシタールを使い幻想的にアレンジしたもので、サイケデリックな世界が若者から大きな支持を得る中、ラガ・ロック、スペース・ロックなどと呼ばれた。デヴィッド・クロスビーの活躍が際立っており、ロック色を強めた話題作である。
タワーレコード(2009/04/08)

Entertainment Weekly (6/28-7/5/96, p.106) - "...illustrates why the best Byrds music still inspires musicians....And while time hasn't enhanced the group's forays into psychedelia....there are enough keepers to make you forgive their occasional tendency to fly into walls." - Rating: B Q (8/99) - Included in Q Magazine's "Best Psychedelic Albums of All Time" issue. Q (7/96, p.134) - 4 Stars - Excellent - "...`I See You' boasts the floaty groove, stammering guitar and jazzy chords that were coming into the repertoire of the early psychedelic groups..." Melody Maker (5/11/96, p.50) - Recommended - "...`Eight Miles High' will always breathe the same rarefied air, always hum with vividly altered perceptions. Age cannot wither it..." Musician (8/96, p.90) - "I like the sound better here. The guitar interplay emerges with greater warmth and clarity, without over-thinning the wash..." CD Buyer's Guide - "This is probably their finest" NME (Magazine) (5/11/96, p.46) - 8 (out of 10) - "...heralds a newly psychedelic Byrds hung up on the archetypal acid-fixation with the unknown...and utter confusion....it's faultless." Blender (Magazine) (p.82) - 4 stars out of 5 -- "McGuinn stepped up his game...playing spark-showering lead guitar that lifted ideas from John Coltrane's modal jazz improvisations."
Rovi

Although the Byrds' Fifth Dimension was wildly uneven, its high points were as innovative as any rock music being recorded in 1966. Immaculate folk-rock was still present in their superb arrangements of the traditional songs "Wild Mountain Thyme" and "John Riley." For the originals, they devised some of the first and best psychedelic rock, often drawing from the influence of Indian raga in the guitar arrangements. "Eight Miles High," with its astral lyrics, pumping bassline, and fractured guitar solo, was a Top 20 hit, and one of the greatest singles of the '60s. The minor hit title track and the country-rock-tinged "Mr. Spaceman" are among their best songs; "I See You" has great 12-string psychedelic guitar solos; and "I Come and Stand at Every Door" is an unusual and moving update of a traditional rock tune, with new lyrics pleading for peace in the nuclear age. At the same time, the R&B instrumental "Captain Soul" was a throwaway, "Hey Joe" not nearly as good as the versions by the Leaves or Jimi Hendrix, and "What's Happening?!?!" the earliest example of David Crosby's disagreeably vapid hippie ethos. These weak spots keep Fifth Dimension from attaining truly classic status. ~ Richie Unterberger
Rovi

メンバーズレビュー

2件のレビューがあります
5.0
100%
0%
0%
0%
0%
サイケデリックと聞いて真っ先に頭に浮かぶ一枚。シタールと12弦ギターの音色が幻想的。後世に与えた影響は絶大。
0
フロントメンバーの一人であったジーン・クラークが抜けて最初(通算3枚目)のアルバム。
商品レビューにもあるように、フォーク・ロックだけでなくアシッド/サイケ(ラーガ・ロックという言い方も)の方向に向かいだした意欲的な曲も含む。
名うてのスタジオミュージシャンであるレッキングクルーが演奏していた1stアルバムとは違って、やや稚拙で粗い演奏ではあるが、ガレージっぽい勢いがある1966年ならではのロックが聴ける本盤は、ロックの歴史を知るには欠かせないアルバムだ。
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