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Rock/Pop
CDアルバム

Blodhemn

0.0

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フォーマット CDアルバム
発売日 2020年03月20日
国内/輸入 輸入
レーベルOsmose Productions
構成数 1
パッケージ仕様 -
規格品番 400161720922
SKU 4001617209226

構成数 : 1枚
合計収録時間 : 00:39:46

  1. 1.[CDアルバム]
    1. 1.
      Intro Audbumla

      アーティスト: Enslaved

    2. 2.
      I Lenker til Ragnarok

      アーティスト: Enslaved

    3. 3.
      Urtical Gods

      アーティスト: Enslaved

    4. 4.
      Ansuz Astral

      アーティスト: Enslaved

    5. 5.
      Nidingaslakt

      アーティスト: Enslaved

    6. 6.
      Eit Auga til Mimir

      アーティスト: Enslaved

    7. 7.
      Blodhemn

      アーティスト: Enslaved

    8. 8.
      Brisinghamen

      アーティスト: Enslaved

    9. 9.
      Suttungs Mjod/Outro Perku

      アーティスト: Enslaved

作品の情報

メイン
アーティスト: Enslaved

商品の紹介

Viking metal stalwarts Enslaved closed out the 1990s with their fourth full album, Blodhemn, taking advantage of the millennium threshold ahead to close the first chapter of their career from a stylistic point of view as well. From here on out (beginning with 2000's Mardraum), the group would transform its sound significantly with every record; but, although Enslaved's songwriting had never been anything less than inquisitive from day one, it had heretofore relied primarily on typical Scandinavian black metal attributes -- shrieked vocals, buzz-saw guitars, manic blastbeats -- only extended to Bathory-approved, epic lengths. Blodhemn (which means "vengeance in blood" in Norwegian) was no exception, and may in fact have seemed like the "blackest" of them all on first listen, thanks to the involvement of respected producer Peter Tagtgren, who recorded the band at his own Abyss Studios. According to some detractors, Tagtgren actually made the band sound Swedish, because of the album's generally shorter songs and cleaner, more compressed sound (a vast improvement upon its dismal-sounding predecessor, Eld, it should be noted), but as repeated spins gradually revealed, Enslaved's relentless will to experiment still writhed within. So despite the seeming rigidity of their titanium-plated exoskeletons, tracks like "I Lenker Til Ragnarok," "Urtical Gods," and "Nidingaslakt" (the last two being as "rock & roll" as black metal song structures get) merely disguise imaginatively contrasting riffs and occasional hints of sounds yet to come, like the psychedelic/electronic bridge seeping out of "Ansuz Astral." Elsewhere, dark hymns like "Eit Auga Til Mimir," "Suttungs Mjod," and of course the title track continue to add new triumphs to the band's by now almost unchallenged Viking metal supremacy. That's why, in spite of some imminently temporal qualities and enduring controversies, Blodhemn has largely been vindicated over time, as yet another victorious step in Enslaved's long and never-ending musical evolution. ~ Eduardo Rivadavia
Rovi

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