World/Reggae
CDアルバム

Natty Dread

4.8

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フォーマット CDアルバム
発売日 2001年06月29日
国内/輸入 輸入
レーベルIsland Records
構成数 1
パッケージ仕様 -
規格品番 548895
SKU 731454889520

構成数 : 1枚
合計収録時間 : 00:42:09
Bob Marley & The Wailers: Bob Marley (vocals, guitar); Al Anderson (guitar); Touter (piano, organ); Aston "Family Man" Barrett (bass); Carlton "Carly" Barrett (drums, percussion). Additional personnel includes: Rita Marley, Marcia Griffiths, Judy Mowatt (background vocals). Reissue producers: Bill Levenson, Maxine Stowe. Recorded at Harry J Studios, Kingston, Jamaica and Island Studios, Hammersmith, England. All tracks have been digitally remastered. Personnel: Bob Marley (vocals); Al Yasha Anderson (guitar); Bernard "Touter" Harvey (piano, organ); Aston Barrett (bass guitar); Carlton "Carly" Barrett (drums, percussion); I-Threes (background vocals). Audio Mixer: Sidney Bucknor. Recording information: Harry J. Studios, Kingston, Jamaica; Harry Jay's Recording Studio, Kingston, Jamaica; Island Studios, Hammersmith, England. Photographers: Adrian Boot; Dennis Morris . Out on his own following the defection of Bunny Wailer and Peter Tosh, this album saw Marley utilizing the talents of the I-Threes for the first time. There was still a nod to his past in the inclusion of a cover version of a Wailers tune, "Lively Up Yourself," but elsewhere he revelled in his new found freedom, on "Revolution" and most particularly, "No Woman, No Cry," which has practically become a Jamaican national anthem since its release. If that song had an instantly universal appeal, Rasta themes were also brilliantly conveyed via "Them Belly Full (But We Hungry)" and "Rebel Music (Three O'Clock Roadblock)." Marley had announced himself as one of the greats of modern music.
エディション : Remaster
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Lively Up Yourself

      アーティスト： Bob Marley & The Wailers

    2. 2.
      No Woman, No Cry

      アーティスト： Bob Marley & The Wailers

    3. 3.
      Them Belly Full (But We Hungry)

      アーティスト： Bob Marley & The Wailers

    4. 4.
      Rebel Music (3 O'Clock Roadblock)

      アーティスト： Bob Marley & The Wailers

    5. 5.
      So Jah Seh

      アーティスト： Bob Marley & The Wailers

    6. 6.
      Natty Dread

      アーティスト： Bob Marley & The Wailers

    7. 7.
      Bend Down Low

      アーティスト： Bob Marley & The Wailers

    8. 8.
      Talkin' Blues

      アーティスト： Bob Marley & The Wailers

    9. 9.
      Revolution

      アーティスト： Bob Marley & The Wailers

    10. 10.
      Am-A-Do

      アーティスト： Bob Marley & The Wailers

作品の情報

メイン
アーティスト： Bob Marley & The Wailers

商品の紹介

Rolling Stone (12/11/03, p.136) - Ranked #182 in Rolling Stone's "The 500 Greatest Albums Of All Time" Q (9/01, p.135) - 4 stars out of 5 - "...Marley gearing himself for the big push and 'Them Belly Full' was his first great oppression song..." Down Beat (12/01, p.88) - 4 stars out of 5 - "...Masterworks..." NME (Magazine) (10/2/93, p.29) - Ranked #78 in NME's list of the `Greatest Albums Of All Time.'
Rovi

Natty Dread is Bob Marley's finest album, the ultimate reggae recording of all time. This was Marley's first album without former bandmates Peter Tosh and Bunny Livingston, and the first released as Bob Marley & the Wailers. The Wailers' rhythm section of bassist Aston "Family Man" Barrett and drummer Carlton "Carlie" Barrett remained in place and even contributed to the songwriting, while Marley added a female vocal trio, the I-Threes (which included his wife Rita Marley), and additional instrumentation to flesh out the sound. The material presented here defines what reggae was originally all about, with political and social commentary mixed with religious paeans to Jah. The celebratory "Lively Up Yourself" falls in the same vein as "Get Up, Stand Up" from Burnin'. "No Woman, No Cry" is one of the band's best-known ballads. "Them Belly Full (But We Hungry)" is a powerful warning that "a hungry mob is an angry mob." "Rebel Music (3 O'Clock Road Block)" and "Revolution" continue in that spirit, as Marley assumes the mantle of prophet abandoned by '60s forebears like Bob Dylan. In addition to the lyrical strengths, the music itself is full of emotion and playfulness, with the players locked into a solid groove on each number. Considering that popular rock music was entering the somnambulant disco era as Natty Dread was released, the lyrical and musical potency is especially striking. Marley was taking on discrimination, greed, poverty, and hopelessness while simultaneously rallying the troops as no other musical performer was attempting to do in the mid-'70s. ~ Jim Newsom
Rovi

メンバーズレビュー

4件のレビューがあります
4.8
75%
25%
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Natty Dread｜CDアルバム
ピーターとバニーが抜けた後のアルバムだよね。歌詞も含めて一番尖っていて、男を感じるなあ。君がいないと生きていけないとか言ってる場合じゃなくて、俺はこれだ！みたいな、勢いを感じる。アルアンダーソンのギターも最高！！
2001/07/25 rubadubさん
0
ナッティ・ドレッド+1｜CDアルバム
ｺﾚはﾋｯﾌﾟﾎｯﾌﾟなどのﾌﾞﾗｯｸﾐｭｰｼﾞｯｸだけでは無くﾊﾟﾝｸやﾎﾟｽﾄﾊﾟﾝｸやﾃｸﾉﾎﾟｯﾌﾟなどにも多大な影響を与えているはず｡ﾋﾞｰﾄの捉え方､音響処理の仕方､ﾐｷｼﾝｸﾞのﾊﾞﾗﾝｽの取り方など…挙げれば限りが無い｡他の2人が辞めﾎﾞﾌﾞとﾊﾞｯｸﾊﾞﾝﾄﾞという形になったからこそﾎﾞﾌﾞの天才性が爆発したんだと思う｡ﾎﾞﾌﾞはﾊﾞﾝﾄﾞｻｳﾝﾄﾞとしてのﾚｹﾞｴを完成させた人だと思う｡ﾛｯｸﾊﾞﾝﾄﾞがやるﾚｹﾞｴは殆どﾎﾞﾌﾞ&ｳｴﾗｰｽﾞのｻｳﾝﾄﾞの亜流…それだけ魅力的で決定的な物なのだと思う｡
2007/03/12 QTAROさん
0
ナッティ・ドレッド +1＜初回限定盤＞｜CDアルバム
最高傑作だと思う。これはｺｰﾗｽｸﾞﾙｰﾌﾟのｳｪﾗｰｽﾞからﾊﾞﾝﾄﾞｽﾀｲﾙののﾎﾞﾌﾞﾏｰﾘｰ&ｳｪﾗｰｽﾞに再編された直後の作品なのでﾎﾞﾌﾞの気合いが乗っている。ｳｫｰﾙｵﾌﾞｻｳﾝﾄﾞ(古い?)に代表される分厚く音を重ねるのが主流だった時代にこの音を抜いて間や空間を生かしたりﾍﾞｰｽの音量を極端に上げたｻｳﾝﾄﾞ（多分ﾀﾞﾌﾞの影響。しかしﾎﾞﾌﾞはﾀﾞﾌﾞ嫌い）はかなり斬新だったはず。ﾊﾟﾝｸやﾆｭｰｳｪｰﾌﾞの音数を極端に減らしたｽｶｽｶな作風はかなり影響を受けていると思う。
2006/09/24 QTAROさん
0
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