ショッピングカート
WORLD/REGGAE
CD
Blessed
★★★★★
★★★★★
0.0

在庫状況 について

商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入

パッケージ仕様

-

発売日

1995年08月22日

規格品番

IJCD3005

レーベル

SKU

731452413826

作品の情報
メイン
アーティスト
商品の紹介
NME - 7 (out of 10) - "...Beenie man has survived to become one of the hottest chatters in Jamaica..." NME (9/23/95, p.46) - 7 (out of 10) - "...Beenie man has survived to become one of the hottest chatters in Jamaica..."
Rovi
1995's BLESSED is a typically excellent Beenie Man release, one of the few released by a major US company instead of one of the many tiny reggae specialist labels. Happily, Beenie Man makes no particular moves towards mainstream or crossover acceptance; BLESSED is every bit as uncompromising as DEFEND IT or any of his other early albums.
As always, his toasting is complex, eloquent, and stunningly blunt. (See "Acid Attack" or "Tear off Mi Garment" for details.) Unlike some dancehall reggae, which seems somewhat thin and weedy-sounding in comparison to the work of artists such as Lee Perry or the Mad Professor, Beenie Man's mostly electronic rhythms don't skimp on either the bass or the atmospherics.|
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:52:20

Personnel: Beenie Man, Lukie D (vocals); Computer Paul, Dave Kelly, Michael Spencer (keyboards, bass, programming); Donald Dennis, Leroy Mafia (keyboards, bass); Steven "Lenky" Marsdel, Paul "Wrong Move" Crossdale (keyboards); Gary Jackson, Darel Williams (drums); Sly Dunbar, Andrew Thomas, Dave Fluxy, Melbourne Miller (programming); Brian Gold, Tony Gold (background vocals).
Producers include: Patrick Roberts, The Shocking Vibes Crew, Dave Kelly, Patrick Roberts, Collin "Bulby" York.
Engineers: Gary Jackson, Dean Mundy, Dave Kelly.
Recorded at Penthouse Recording Studio and Mixing Lab Recording Studio, Kingston, Jamaica.
1995's BLESSED is a typically excellent Beenie Man release, one of the few released by a major US company instead of one of the many tiny reggae specialist labels. Happily, Beenie Man makes no particular moves towards mainstream or crossover acceptance; BLESSED is every bit as uncompromising as DEFEND IT or any of his other early albums.
As always, his toasting is complex, eloquent, and stunningly blunt. (See "Acid Attack" or "Tear off Mi Garment" for details.) Unlike some dancehall reggae, which seems somewhat thin and weedy-sounding in comparison to the work of artists such as Lee Perry or the Mad Professor, Beenie Man's mostly electronic rhythms don't skimp on either the bass or the atmospherics.

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