構成数 | 2枚

合計収録時間 | 05:05:12

They Might Be Giants: John Flansburgh (vocals, guitar, keyboards); John Linnell (vocals, accordion, saxophone, keyboards). Additional personnel includes: Peter Stampfel (vocals, banjo); Laura Cantrell, Robin "Goldie" Goldwasser, Margeret Seiler (vocals); Eric Schermerhorn (acoustic & electric guitars); Jay Sherman-Godfrey (acoustic guitar, slide guitar); Dan Miller, Lyle Workman (guitar): Mark Feldman (violin); Frank London, Charlie Splavida, Jim O'Connor (trumpet); Dan Levine (trombone); Kurt Hoffman (horns); Dan Weinkauf, Graham Maby, Tony Maimone (bass); Brian Doherty, Dan Hickey, Alan Bezozi (drums); Sue Hadjopoulos (congas, percussion); Luis Jardim (percussion). Producers include: They Might Be Giants, Pat Dillet, Adam Schlesinger, Bill Krauss, Clive Langer. Compilation producer: Gary Stewart. Includes liner notes by Sarah Vowell. All tracks have been digitally remastered. Personnel: John Flansburgh (vocals, guitar, keyboards); Peter Stampfel (vocals, banjo); John Linnell (vocals, accordion, saxophone, keyboards); Elma Mayer, Laura Cantrell, Amy Allison, Nicholas Hill, Robin "Goldie" Goldwasser (vocals); Eric Schermerhorn (guitar, acoustic guitar); Dan Miller (guitar, guitar synthesizer); Lyle Workman (guitar); Mark Feldman , Gregor Kitzis, Krystof Witek (violin); Ron Lawrence (viola); Garo Yellin (cello); Frank London, Mark Pender, Jim O'Connor (trumpet); Dan Levine , Tim Newman (trombone); Ron Caswell (tuba); Kurt Hoffman (horns); Adam Schlesinger (keyboards, programming); Steve Calhoon, Zachary Alford, Dan Hickey (drums); Alan Bezozi (snare drum, tambourine); Sue Hadjopoulas (congas, percussion); Skyline Staff (hand claps); Luis Jardim, Mauro Refosco (percussion). Audio Mixers: Ed Thacker; Brian Speiser; Paul Angelli; Alan Winstanley; Patrick Dillett; Roger Moutenot; Tom Durack; Bob Clearmountain. Audio Remasterers: Daniel Hersch; Bill Inglot. Liner Note Author: Sarah Vowell. Recording information: Bearsville Sound Studios, New York, NY (??/1986-06/2002); Clinton Studios, New York, NY (??/1986-06/2002); Coyote Sound, New York, NY (??/1986-06/2002); Dubway Studio, New York, NY (??/1986-06/2002); Edison National Historic Site, West Orange, NJ (??/1986-06/2002); Fillmore, San Francisco, CA (??/1986-06/2002); Hello Studio, Brooklyn, NY (??/1986-06/2002); Hit Factory, New York, NY (??/1986-06/2002); Kampoo Studios (??/1986-06/2002); Pachyderm Studio, Cannon Falls, MN (??/1986-06/2002); River Sound, New York, NY (??/1986-06/2002); Skyline Studios, New York, NY (??/1986-06/2002); Sound on Sound, New York, NY (??/1986-06/2002); SoundTrack (??/1986-06/2002); Studio Four (??/1986-06/2002); Studio Pass, New York, NY (??/1986-06/2002); The Magic Shop, New York, NY (??/1986-06/2002); TMF Studio (??/1986-06/2002); Westside (??/1986-06/2002); XTC Club, Berlin, Germany (??/1986-06/2002). Photographers: Paula Court; Susan Anderson; Reuben Cox; Michael Halsband; Jeremy Wolff; Julie Kantner; Mark Stern. They Might Be Giants are quite possibly the quirkiest pop-hook mavens ever to employ the accordion and bass clarinet. They are also one of most educationally oriented bands on the planet. Even a cursory listen to DIAL-A-SONG, Rhino's twin-disc 2002 retrospective of John Flansburgh and John Linnell's music, will yield lessons on history ("James K. Polk"), biology ("Mammal"), astronomy ("Why Does the Sun Shine? [The Sun Is a Mass of Incandescent Gas]"), art ("Meet James Ensor"), morality ("Your Racist Friend"), and good rock bands ("We're the Replacements"). They also adroitly pose philosophical questions, such as "How Can I Sing Like a Girl?" Flansburgh and Linnell garnered a cult following after their 1986 debut, and DIAL-A-SONG selects recordings from this period ("Don't Let's Start," "Boat of Car") and their subsequent and increasingly successful releases. The collection draws heavily from popular TMBG albums LINCOLN ("Ana Ng," "They'll Need a Crane") and FLOOD ("Birdhouse in Your Soul," "Istanbul [Not Constantinople]"), a

録音 | ステレオ (Studio)