Well To The Bone

Well to the Bone is Scott Henderson's third outing as a leader apart from his group, Tribal Tech, the band he co-founded with electric bassist Gary Willis in the mid-'80s. As one of the finest fusion guitarists of his generation, Scott Henderson returns to his blues roots with a program of ten songs that feature multi-layered tracks of guitar and a few that pay tribute to the blues-rock of the '60s and the '70s. Henderson's six-string virtuosity is accompanied by Kirk Covington on drums and John Humphrey on bass. Special guest vocalist Wade Durham pours on the bluesy gusto sauce on "Lady P," adds a few of Jimi Hendrix's phrasing techniques on "Devil Boy," and creates a new funky blues direction on "Dat's da Way It Go." Vocalist Thelma Houston puts her diva stamp on "Lola Fay," a sludgy blues shuffle, and on the title track. These songs mark her return engagement with Henderson, who featured her on his 1997 Tore Down House. Overall Scott Henderson's playing is awesome on all tracks and his experimentation with tones from several guitars, amps, and mic-ing only adds more musical adventures for his listeners to enjoy. He especially flaunts his blues/rock virtuosity on the title track and on the power ballad "That Hurts." This song rocks you right to your tone center. Well to the Bone is Henderson's best blues/rock outing since his 1994 release, titled Dog Party. ~ Paula Edelstein|

Well to the Bone is Scott Henderson's third outing as a leader apart from his group, Tribal Tech, the band he co-founded with electric bassist Gary Willis in the mid-'80s. As one of the finest fusion guitarists of his generation, Scott Henderson returns to his blues roots with a program of ten songs that feature multi-layered tracks of guitar and a few that pay tribute to the blues-rock of the '60s and the '70s. Henderson's six-string virtuosity is accompanied by Kirk Covington on drums and John Humphrey on bass. Special guest vocalist Wade Durham pours on the bluesy gusto sauce on "Lady P," adds a few of Jimi Hendrix's phrasing techniques on "Devil Boy," and creates a new funky blues direction on "Dat's da Way It Go." Vocalist Thelma Houston puts her diva stamp on "Lola Fay," a sludgy blues shuffle, and on the title track. These songs mark her return engagement with Henderson, who featured her on his 1997 Tore Down House. Overall Scott Henderson's playing is awesome on all tracks and his experimentation with tones from several guitars, amps, and mic-ing only adds more musical adventures for his listeners to enjoy. He especially flaunts his blues/rock virtuosity on the title track and on the power ballad "That Hurts." This song rocks you right to your tone center. Well to the Bone is Henderson's best blues/rock outing since his 1994 release, titled Dog Party. ~ Paula Edelstein