| フォーマット | CDアルバム |
| 発売日 | 1998年03月10日 |
| 国内/輸入 | 輸入 |
| レーベル | GRP Records (USA) |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 248 |
| SKU | 011105024822 |
構成数 : 1枚
合計収録時間 : 00:38:21
Personnel: Archie Shepp (tenor saxophone); Tommy Turrentine (trumpet); Grachan Moncur III, Roswell Rudd (trombone); Howard Johnson (tuba); Perry Robinson (clarinet); Charlie Haden (bass); Beaver Harris (drums).
Producer: Bob Thiele.
Reissue producer: Michael Cuscuna.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on August 19, 1966. Originally issued as Impulse AS-9134.
Digitally remastered by Erick Labson at MCA Music Media Studios.
This is part of Impulse's The New Thing series.
MAMA TOO TIGHT was the fourth and most radical of the albums Archie Shepp recorded for Impulse in the sixties. Overseeing an octet made up of 2 trombones, tuba, clarinet, trumpet, bass and drums as well as his own tenor, Shepp pays homage to Duke Ellington and James Brown in his witty, colorful writing for brass/reeds and funky ensemble work (cf. the title track.) The extended free-form opening of the massive side-long "A Portrait Of Robert Thompson (As A Young Man)" leaves a slightly different impression however. Here Shepp enters the raucous free space previously occupied by Albert Ayler and Coltrane's ASCENSION.
The relentless hard blowing can be overwhelming so it is a relief when the gentler strains of Ellington's "Prelude To A Kiss" enter, followed by a comical but sharp version of "The Break Strain-King Cotton" march. Shepp had the best sense of humor of any modern jazz player and it is displayed brilliantly in the shifts and juxtapositions of "Robert Thompson" and the closing "Basheer," a slightly less ambitious tone poem. The 20 bit re-mastering job allows Shepp's breathy, gritty tenor saxophone work to shine.
録音 : ステレオ (Studio)

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