Debut

構成数 : 1枚
合計収録時間 : 00:53:13
Personnel: Bjork (vocals, keyboards); Jon Mallison (guitar); Corki Hale (harp); Oliver Lake (alto saxophone); Gary Barnacle, Mike Mower (horns); Marius De Vries, Paul Waller, Martin Virgo (keyboards, programming); Garry Hughes (keyboards, Hammond organ, programming); Luis Jardim (bass, drums, percussion); Bruce Smith, Nellee Hooper (drums, percussion); Talvin Singh (tabla); Jhelisa Anderson (background vocals). Engineers include: Jim Abbiss, Nellee Hooper, Howie Bernstein. Import edition features bonus track: "Play Dead." Personnel: Bjork (keyboards); Jon Mallison (guitar); Corky Hale (harp); Talvin Singh (strings, tabla); Gary Barnacle, Oliver Lake, Mike Mower (brass); Garry Hughes, Marius de Vries, Martin Virgo, Paul Waller (keyboards, programming); Bruce Smith , Nellee Hooper, Luis Jardim (drums, percussion); Jhelisa Anderson (background vocals). Audio Remixer: Paul Conboy. Recording information: Beats Studio, Bombay, India; Livingston; Matrix; Milk Bar Toilets; Olympic; Summa Studio, Los Angeles, CA; Swanyard; TownHouse; Wild Bunch; Workhouse. Photographer: Jean Baptiste Mondino. Arranger: Sureh Sathe. With DEBUT, the Icelandic thrush Bjork Godmundsdottir (late of the Sugarcubes) brings her knowing innocence and quirky voice to bear on an engaging program of renegade pop tunes. The unusual instrumental textures on songs such as "Human Behavior," fleshed out with timpani, small percussion instruments, vibraphones and harps, suggests a post-modern version of Phil Spector. As a singer, Bjork's swooping octave leaps and guttural cries betray the elemental contradictions in her music. She projects the girlish innocence and barely constrained sensuality of a wise child, old beyond her years (the techno-reggae romanticism of "Venus As A Boy," the bouncy house changes of "Big Time Sensuality" and "Violently Happy"), and sometimes she sounds like she's trying to rediscover how such doe-eyed love might actually feel, as if for the first time (the mysterious groove of "One Day" and the jazzy standard "Like Someone In Love," with its spare harp accompaniment). There's a pronounced techno feel to DEBUT, with its airy synthesizers and spacious, uncluttered mixes, but without the cool, mechanized detachment of that genre. On "Aeroplane" Bjork combines a saxophone quartet with Middle Eastern-flavored percussion to steer her tale of obsessive love just outside of the pop mainstream, while the unusual saxophone harmonies of "The Anchor Song" lend a folkish color to her extended metaphors on home and erotic immersion. It's precisely Bjork's sense of adventure that gives DEBUT such a cool exotic flavor.
録音 : ステレオ (Studio)

映画「レオン」で効果的に使用された「少年ヴィーナス」収録。