Joe & Zoot & More

構成数 : 1枚
合計収録時間 : 01:03:00
JOE & ZOOT & MORE compiles two albums recorded and released in 1973. Personnel: Joe Venuti (violin); Zoot Sims (soprano & tenor saxophones); Spencer Clark (bass saxophone); Bucky Pizzarelli (guitar); Dill Jones, Dick Wellstood (piano); Milt Hinton, George Duvivier (bass); Cliff Leeman, Oliver Jackson (drums). Recorded in New York, New York on September 27, 1973 and May 29, 1974. Includes liner notes by Dick Gibson. All tracks have been digitally remastered. Personnel: Joe Venuti (violin); Zoot Sims (soprano saxophone, tenor saxophone); Bucky Pizzarelli (guitar); Spencer Clark (bass saxophone); Dick Wellstood, Dill Jones (piano); Cliff Leeman (drums). Liner Note Author: Richard Gibson. Recording information: New York, NY (09/27/1973-05/29/1974). Photographers: Rollo Phlecks; Andre Kertesz. At first glance, Philadelphia violinist Joe Venuti and Los Angeles tenor/soprano saxophonist Zoot Sims might seem an unlikely combination. Venuti was known for swing, classic jazz, and Dixieland, whereas Sims (who was young enough to be Venuti's son) was primarily a cool/bop musician along the lines of Stan Getz, Al Cohn, and Paul Quinichette. But when you think about it, the combination makes perfect sense. Before Sims made bop changes his main focus in the mid-'40s, he played in swing bands -- and Sims (like Getz, Cohn, and Quinichette) was heavily influenced by the seminal Lester Young. So all things considered, it makes perfect sense for Venuti and Sims to join forces on Joe and Zoot and More (which was recorded in 1973 and 1974). Stepping outside of cool jazz and bop, Sims enthusiastically joins Venuti in a classic jazz/swing setting. The performances generally recall the early '30s, and Venuti and Sims enjoy an undeniably strong rapport on inspired versions of "I Found a New Baby," "Indiana," and other familiar standards. As gutsy and hard-swinging as the up-tempo performances are, Venuti and Sims are unapologetically sentimental on ballads like "There's a Small Hotel" and "My One and Only Love." Some bop snobs might think the ballads are toosentimental -- in bop, ballad playing has often tended to be less sentimental and more intellectual than the swing and classic jazz ballad playing of the '30s. (Lyrical, romantic, and pretty don't necessarily mean ultra-sentimental.) But truth be told, there is nothing wrong with jazz instrumentalists being sentimental -- it certainly worked well for Bunny Berigan, Chu Berry, Artie Shaw, and countless others who emerged in jazz's pre-bop era. Joe and Zoot and More is an excellent CD that Venuti fans and Sims admirers should both make a point of obtaining. ~ Alex Henderson
録音 : ステレオ (Studio)