Rock/Pop
CDアルバム

Untouchables [ECD] [PA]

0.0

販売価格

¥
1,890
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2002年06月11日
国内/輸入 輸入
レーベルEpic (USA)
構成数 1
パッケージ仕様 -
規格品番 61488
SKU 074646148822

構成数 : 1枚
合計収録時間 : 01:05:01
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Korn: Jonathan Davis (vocals); James Shaffer, Brian "Head" Welch (guitar); Fieldy (bass); David Silveria (drums). Recorded at Conway Studio, Hollywood, California and The Village, Los Angeles, California. "Here To Stay" won the 2003 Grammy Award for Best Metal Performance. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Korn: Jonathan Davis (vocals); James Shaffer, Brian "Head" Welch (guitar); Fieldy (bass); David Silveria (drums). Recorded at Conway Studio, Hollywood, California and The Village, Los Angeles, California. "Here To Stay" won the 2003 Grammy Award for Best Metal Performance. Includes a bonus DVD disc. Korn: Jonathan Davis (vocals); James Shaffer, Brian "Head" Welch (guitar); Fieldy (bass); David Silveria (drums). Recorded at Conway Studio, Hollywood, California and The Village, Los Angeles, California. "Here To Stay" won the 2003 Grammy Award for Best Metal Performance. Personnel: Jonathan Davis (vocals); James "Munky" Shaffer (guitar); David Silveria (drums). Audio Mixer: Andy Wallace. Recording information: Conway Studio, Hollywood, CA; The Village, Los Angeles, CA. After THE UNTOUCHABLES, Korn can never again be accused of sounding like Limp Bizkit. Though in the past, they've often been lumped in with the likes of the Biz due to their penchant for mixing hip-hop and heavy metal, UNTOUCHABLES represents a step forward. Part of the reason may be the involvement of producer Michael Bienhorn, who old-timers will recall as a founding member of early-'80s avant rock/funk/jazz outfit Material. Whether its Bienhorn's influence or just the band's desire to progress (we're betting on a combo of both), the songs here are full of carefully delineated and sung melodies (though Jonathan Davis's sore throat from hell won't bring Frank Sinatra to mind any time soon). The attack of the guitars and drums is just as unrelenting as before, but the expanded song structures and grooves (somebody's been listening to early Killing Joke) will put the lie to all the naysayers who consigned these guys to the nu-metal scrapheap in the past.
エディション : PA
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Here to Stay

      アーティスト: Korn

    2. 2.
      Make Believe

      アーティスト: Korn

    3. 3.
      Blame

      アーティスト: Korn

    4. 4.
      Hollow Life

      アーティスト: Korn

    5. 5.
      Bottled Up Inside

      アーティスト: Korn

    6. 6.
      Thoughtless

      アーティスト: Korn

    7. 7.
      Hating

      アーティスト: Korn

    8. 8.
      One More Time

      アーティスト: Korn

    9. 9.
      Alone I Break

      アーティスト: Korn

    10. 10.
      Embrace

      アーティスト: Korn

    11. 11.
      Beat It Upright

      アーティスト: Korn

    12. 12.
      Wake Up Hate

      アーティスト: Korn

    13. 13.
      I'm Hiding

      アーティスト: Korn

    14. 14.
      No One's There

      アーティスト: Korn

    15. 15.
      Here to Stay - (remix, hidden track)

      アーティスト: Korn

作品の情報

メイン
アーティスト: Korn

その他
プロデューサー: Michael Beinhorn
エンジニア: Frank FlipettiFrank Filipetti

商品の紹介

Rolling Stone (7/25/02, p.72) - 3 stars out of 5 - "...Simultaneously lighter and heavier...producer Michael Beinhorn helps Korn's vicious rhythm section pound harder while expanding the band's higher frequencies...Staying sober has enabled Davis to achieve subtleties far beyond his death-metal belch..." Rolling Stone (7/25/02, p.72) - 3 stars out of 5 - "...Simultaneously lighter and heavier...producer Michael Beinhorn helps Korn's vicious rhythm section pound harder while expanding the band's higher frequencies...Staying sober has enabled Davis to achieve subtleties far beyond his death-metal belch..." Rolling Stone (7/25/02, p.72) - 3 stars out of 5 - "...Simultaneously lighter and heavier...producer Michael Beinhorn helps Korn's vicious rhythm section pound harder while expanding the band's higher frequencies...Staying sober has enabled Davis to achieve subtleties far beyond his death-metal belch..." Q (8/02, p.126) - 4 stars out of 5 - "...Melodic without losing any of their splenetic power, this is Korn at their most accessible..." Q (8/02, p.126) - 4 stars out of 5 - "...Melodic without losing any of their splenetic power, this is Korn at their most accessible..." Q (8/02, p.126) - 4 stars out of 5 - "...Melodic without losing any of their splenetic power, this is Korn at their most accessible..." Alternative Press (7/02, p.75) - 8 out of 10 - "...Their darkest, most impenetrable record yet....a mammoth, labyrinthine record..." Alternative Press (7/02, p.75) - 8 out of 10 - "...Their darkest, most impenetrable record yet....a mammoth, labyrinthine record..." Alternative Press (7/02, p.75) - 8 out of 10 - "...Their darkest, most impenetrable record yet....a mammoth, labyrinthine record..." CMJ (7/1/02, p.16) - "...Korn continues to dominate the genre it spawned and, as always, we will continue to follow the leader." CMJ (7/1/02, p.16) - "...Korn continues to dominate the genre it spawned and, as always, we will continue to follow the leader." CMJ (7/1/02, p.16) - "...Korn continues to dominate the genre it spawned and, as always, we will continue to follow the leader." NME (Magazine) (6/8/02, p.32) - 8 out of 10 - "...A return to former golories...it's good to know Korn can still rock like Armageddon....Korn blows the opposition to atoms." NME (Magazine) (6/8/02, p.32) - 8 out of 10 - "...A return to former golories...it's good to know Korn can still rock like Armageddon....Korn blows the opposition to atoms." NME (Magazine) (6/8/02, p.32) - 8 out of 10 - "...A return to former golories...it's good to know Korn can still rock like Armageddon....Korn blows the opposition to atoms."
Rovi

過去最長の制作期間を費やしたニュー・アルバムは、総指揮を務めたジョナサン・デイヴィスのキャラが大爆発してる。読経にも似たヘイト・スクリーミングは影を潜めたが、そのぶん濃ゆ~い情念が高らかに歌われるのだ。言葉はますます重く辛辣に、そして幅を広げた唱法は、彼の心に潜む複雑なエモーションを鋭く照らす。ゴシックな肌触りの暗黒ニューウェイヴ・サウンド。そのなかを漂うダークで鮮烈なフレーズの束、ノイズやエフェクトを駆使した音粒。これらもジョナサンが掲げる〈アートとしての挑戦〉なのだろう。いずれにせよ賛否両論が予想される大胆な進化と呼べる。ほかのメンバーもこの全面的な構造改革をバックアップ。磨きをかけたテクニックは演奏力の向上に繋がり、至高のヘヴィー・グルーヴを楽曲に提供する。芸術家・ジョナサンの完璧主義な作風に圧倒される一枚だ。
bounce (C)トリプル永地
タワーレコード(2002年6月号掲載 (P97))

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