Frank Black

Q - 4 Stars - Excellent - "...Pixies were always Black's baby and his first solo outing has that outfit's quirky pop charm, a richer supply of melodies and musical asides with a slight lack of the muscle acquired by a road band....a strong debut..." Spin - Highly Recommended - "...Black is no one-trick pony, and the 15 jumpy cuts on the album prove it....Black Francis has become history. He's been replaced by the less quirky but more versatile Frank Black..." Option - "...Frank Black puts himself in pretty rareified company by making his first [FRANK BLACK] this good....Black is an acquired taste as pop singers go, but like hot sauce, you'll wonder how you ever lived without it..." Musician - "...the best songs are mesmerizingly tuneful..." Q - Included in Q's list of `The 50 Best Albums Of 1993' - "...a 15-song piledriver..." Rolling Stone - 3.5 Stars - Very Good - "...FRANK BLACK doesn't sound like a Pixies album, which is to Black's credit....musically whimsical and varied..."

Underneath their noise and weirdness, the Pixies had a thorough knowledge of rock history, spanning '50s and '60s' surf-rock, '70s punk's menacing energy and '80s college rock's quirkiness. After dismantling the band, Black Francis inverted his name, collaborated with Captain Beefheart / Pere Ubu sideman Eric Drew Feldman and let his inner rock historian loose on Frank Black. Much of the album nods to Black's inspirations, but his own gifts still shine through. The chugging Iggy Pop homage "Ten Percenter" borrows the Stooges' primitive grind, while the arty, dissonant UFO convention tale "Parry the Wind High, Low" recalls Bowie's Berlin era. However, "I Heard Ramona Sing" -- a Ramones tribute -- is an airy, jangly pop number that sounds nothing like its subject; the Beach Boys' "Hang On To Your Ego" gets a new wave makeover with crunchy guitars and shiny keyboards. Despite his efforts to escape the Pixies' sound, many of Frank Black's songs would have fit on Trompe Le Monde. "Los Angeles" builds on that album's spacy, metallic feel; with its thrashy choruses and dreamy coda, it almost caricatures the Pixies' extreme dynamics. However, whimsical vignettes like "Brackish Boy" and "Two Spaces" sound more like They Might Be Giants -- one of Black's favorite groups -- than his old band, while softer songs like "Adda Lee" and "Every Time I Go Around Here" reveal more emotional depth. Frank Black also boasts an unabashedly big, polished sound; keyboards and brass embellish "Places Named After Numbers" and the epic surf-rock instrumental "Tossed." Just a few years later, new wave-inspired punk-pop bands like Weezer, the Rentals and even No Doubt ruled alternative rock, proving that even if his solo career wasn't as influential as his Pixies years, Frank Black was still ahead of his time. ~ Heather Phares|