ショッピングカート
Country/Blues
CD
Mark Chesnutt
★★★★★
★★★★★
0.0

在庫状況 について

商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入

パッケージ仕様

-

発売日

2002年05月21日

規格品番

86540

レーベル

SKU

696998654020

作品の情報
メイン
アーティスト
その他
プロデューサー
収録内容

構成数 | 1枚

合計収録時間 | 00:35:44

Personnel includes: Mark Chestnutt (vocals); J.T. Corenflos (electric guitar); Dan Dugmore, Paul Franklin (steel guitar); Larry Franklin (mandolin, fiddle); Aubrey Haynie (fiddle); John Hobbs (piano, keyboards); Eddie Bayers (drums). Recorded at Emerald Entertainment Studio "A", Nashville, Tennessee. Includes liner notes by Mark Chesnutt. Personnel: B. James Lowry, Billy Panda (acoustic guitar); Billy Joe Walker, Jr., Reggie Young , J.T. Corenflos , Brent Mason (electric guitar); Dan Dugmore, Paul Franklin , Robby Turner (steel guitar); Russ Pahl (banjo); Larry Franklin (mandolin, fiddle); Andrea Zonn (fiddle, background vocals); Aubrey Haynie, Hank Singer (fiddle); John Hobbs, John Jarvis (piano, keyboards); Eddie Bayers, Paul Leim (drums); Eric Darken (percussion); Curtis Young, Michael Black, John Wesley Ryles, Neil Thrasher, Ray C. Walker, Wes Hightower, Russell Terrell, Liana Manis, Louis Dean Nunley (background vocals). Audio Mixer: Ed Seay. Recording information: Emerald Entertainment Studio A, Nashville, TN; OMNI Sound, Nashville, TN; Our Place Studio, Nashville, TN. Photographer: Russ Harrington. The sharply written lyrics and state-of-the-art production employed on Mark Chesnutt's records (not to mention his friendly, emotionally accessible vocal style) have helped him to become a country superstar. As this self-titled effort makes plain, Chesnutt has never ventured into pop-rock crossover to grab that brass ring. He does offer a fresh take on the form; the humor-tinged roadhouse rock of "Don't Know Why I Do It" is worthy of NRBQ (or at least of latter-day Al Anderson), and the bluesy, swampy groove of "Population Minus One" frames a quirky, spoken vocal that tells of desire and distance. Still, "You'd Be Wrong" and "She Was" stand to prove that Chesnutt has a warm, natural way with a classic Nashville-style ballad (not the Journey-esque power balladry of his more crass contemporaries). And the whole of MARK CHESNUTT serves as a reminder that even in the 21st century its still possible to achieve mainstream success without sacrificing one's aesthetic principles.

録音 | ステレオ (Studio)

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