Cat Meets the Chick/The Jazz Odyssey of James...

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合計収録時間 : 01:12:05
2 LPs on 1 CD: CAT MEETS THE CHICK (1956)/THE JAZZ ODYSSEY OF JAMES RUSHING ESQ. (1957). Personnel includes: Jimmy Rushing (vocals, piano); Ada Moore (vocals); Eddy Barefield, Budd Johnson, Willard Brown, Buddy Tate (saxophone); Buck Clayton, Emmett Berry (trumpet); Dicky Wells, Vic Dickensen (trombone); Tony Parenti (clarinet); Sir Charles Thompson, Ken Kersey, Cliff Jackson, Hank Jones (piano); Steve Jordan (guitar); Milt Hinton, Aaron Bell, Walter Page (bass); Jo Jones, James Osie Johnson, Zuggy Singleton (drums). Recorded in 1955-56. Includes liner notes by Irving Townshend. Personnel: Jimmy Rushing (vocals, piano); Ada Moore (vocals); Steve Jordan , Skeeter Best (guitar); Tony Parenti (clarinet); Willard Brown, Eddie Barefield (saxophone); Hilton Jefferson, Rudy Powell (alto saxophone); Buddy Tate & the Muse All Stars, Budd Johnson (tenor saxophone); Danny Banks , Dave McRae (baritone saxophone); Ed Lewis, Emmett Berry, Ernie Royal, Billy Butterfield, Buck Clayton (trumpet); Dicky Wells, Urbie Green, Vic Dickenson (trombone); Ken Kersey, Cliff Jackson & His Crazy Cats, Hank Jones , Sir Charles Thompson (piano); Jo Jones , Zutty Singleton (drums). Liner Note Author: Irving Townsend. Recording information: 08/18/1955-11/07/1956. Arranger: Buck Clayton. Jimmy Rushing's first two Columbia Records albums, recorded in 1955 and 1956 and originally released in 1956 and 1957, both have concepts behind them. Cat Meets Chick is actually co-billed to Ada Moore (who had just made her Broadway debut in House of Flowers) and trumpeter Buck Clayton, and it is "a story in jazz," the story being Rushing and Clayton's attempts to woo Moore in song. The plot is silly, but it's just an excuse to have Rushing, sometimes joined by the pleasant alto of Moore, fronting Clayton's Count Basie-style orchestra on some old favorites. The Jazz Odyssey of James Rushing, Esq. traces the development of jazz through four cities, each of which is represented by three songs: New Orleans, Kansas City, Chicago, and New York. Again, the concept is little more than a framing device, but producer Irving Townsend, using different musicians for each mini-set, does get the feel of jazz in each locale. Rushing, in his early fifties, may not have the voice he did when he was with Basie, but his performances are spirited and his first-ever piano accompaniment on his own "Tricks Ain't Walkin' No More" is a delight. The backup musicians, many of whom get solos, are a who's who of jazz greats, including Billy Butterfield, Urbie Green, Milt Hinton, Hank Jones, Jo Jones, Walter Page, and Zutty Singleton. With that kind of lineup, presenting the history of jazz (especially as it might sound played by Basie) isn't hard. These albums were long overdue for reissue, and putting them together on a discount-priced two-fer makes the release especially appealing. ~ William Ruhlmann
録音 : モノラル (Studio)