サウンドトラック
CDアルバム

Long Walk Home -Music from the Rabbit-Proof Fence

0.0

販売価格

¥
2,690
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2021年04月23日
国内/輸入 輸入
レーベルVmlas
構成数 1
パッケージ仕様 -
規格品番 8122382
SKU 724381223826

構成数 : 1枚
合計収録時間 : 00:58:46
Original score composed by Peter Gabriel. Personnel includes: Peter Gabriel (vocals, piano, keyboards, surdo); Janganpa Group, The Blind Boys Of Alabama, Myarn Lawford (vocals); David Rhodes (guitar, didgeridoo, keyboards, surdo, percussion, background vocals); Richard Evans (12-string guitar, hammered dulcimer, whistle, bass, shaker, percussion); Shankar (violin); Electra Strings, London Session Orchestra (strings); David Sancious (Hammond B-3 organ); Ged Lynch (drums, percussion); Manu Katche (drums); The Dhol Foundation (dhol); Alex Swift (programming). Producers: Peter Gabriel, Richard Evans, David Rhodes, Stephen Hague. Principally recorded at Real World, Air Studios, England; Hype Studio, Singapore. Personnel: Peter Gabriel (vocals, piano, keyboards, surdo, drum programming); David Rhodes (vocals, guitar, acoustic guitar, electric guitar, berimbau, didjeridu, keyboard bass, shaker, surdo, percussion, gong, background vocals); Benet Houariyat, Nusrat Fateh Ali Khan, The Blind Boys of Alabama (vocals); Richard Evans (whistling, acoustic guitar, electric 12-string guitar, hammer dulcimer, piano, keyboards, shaker, crotales); Peter Green (electric guitar); Julian Leaper, Mark Berrow, Christopher Tombling, Jacqueline Norrie, Antonia Fuchs, Peter G. Hanson, Fenella Barton, Duchess Nell Catchpole, Sally Herbert, Patrick Kiernan, Boguslav Kostecki, Cathy Thompson, Gavyn Wright, Jackie Shave (violin); Donald McVay, Claire Orsler, Robert Smissen, Roger Chase, Jocelyn Pook, Peter Lale (viola); Ben Chappell, David Daniels , Martin Loveday, Anthony Pleeth , Dinah Beamish (cello); Electra Strings, London Session Orchestra (strings); Chuck Norman (keyboards, programming); Chris Laurence , Mary Scully (double bass); Ged Lynch (drums, tom tom, percussion); Stephen Hague (drums, programming); Johnny Kalsi (drums, sound effects); Dhol Foundation, Manu Katche (drums); Assane Thaim (talking drum); James McNally (bodhran); Hossam Ramzy (finger cymbals); Babacar Faye (djembe); Richard Chappell (tambourine, drum programming); Dominique Mahut, Adzido Pan African Dance Ensemble (percussion); Alex Swift (programming). Audio Mixers: David Rhodes; Stephen Hague; Richard Evans . Recording information: Air Studios, London, England; Hype Studios, Singapore; Lavanderia, Unites States; real World Studios, England. Photographers: Penny Tweedle; Melvin Bishop. Arrangers: David Rhodes; Richard Evans . Nearly a full decade after the release of Us, Peter Gabriel finally returned with new music in the summer of 2002 -- but it wasn't a new studio album, it was the soundtrack to Phillip Noyce's return to independent Australian cinema, Rabbit-Proof Fence. The film tells the true story of three Aboriginal girls who make a return to their home after being abducted by the government to serve as domestic help to a white family in 1931; as they make their journey through the Outback to their home, they follow the Rabbit-Proof Fence, which had been constructed to prevent animals deemed agricultural pests -- including rabbits, dingoes, and foxes -- from crossing into Western Australia agricultural lands. This, understandably, is a moody, emotional piece, and Gabriel was an ideal choice for the soundtrack, since he proved with his score for Martin Scorsese's The Last Temptation of Christ that he could stay faithful to the indigenous music of the region while synthesizing it with his own synth-based art rock, providing a haunting, emotionally resonant soundtrack to the film. He does a similar thing here, using Aboriginal music as a foundation for much of his music, yet winding up with a score that's ultimately closer to Birdy than Passion. That's largely due to its long stretches of moody, spare keyboards, which dominate much of the album. The keyboards are the dominant sound here, not the rhythms, but it all blends together for a very evocative, dark yet hopeful set of music. It's not a splashy comeback, then, but a quiet return to something Gabriel does best
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Jigalong

      アーティスト: Peter Gabriel

    2. 2.
      Stealing the Children

      アーティスト: Peter Gabriel

    3. 3.
      Unlocking the Door

      アーティスト: Peter Gabriel

    4. 4.
      The Tracker

      アーティスト: Peter Gabriel

    5. 5.
      Running to the Rain

      アーティスト: Peter Gabriel

    6. 6.
      On the Map

      アーティスト: Peter Gabriel

    7. 7.
      A Sense of Home

      アーティスト: Peter Gabriel

    8. 8.
      Go Away Mr. Evans

      アーティスト: Peter Gabriel

    9. 9.
      Moodoo's Secret

      アーティスト: Peter Gabriel

    10. 10.
      Gracie's Recapture

      アーティスト: Peter Gabriel

    11. 11.
      Crossing the Salt Pan

      アーティスト: Peter Gabriel

    12. 12.
      The Return, Pts. 1-3

      アーティスト: Peter Gabriel

    13. 13.
      Ngankarrparni (Sky Blue) (Reprise)

      アーティスト: Peter Gabriel

    14. 14.
      The Rabbit-Proof Fence

      アーティスト: Peter Gabriel

    15. 15.
      Cloudless

      アーティスト: Peter Gabriel

作品の情報

商品の紹介

『Rabit Proof Fence』(邦題:裸足の1500マイル)のサウンドトラックをベースに制作された2002年発表作の再プレス!
発売・販売元 提供資料(2021/03/31)

Entertainment Weekly (6/21/02, p.84) - "...Gabriel applies studio magic to birdsongs, chants, and didgeridoo to create haunting soundscapes...WALK won't get you dancing, but it just might make you cry..." - Rating: A- New Age Retailer (1-2/03, p.158) - "...A film score of high drama, searing tension, and astonishing beauty....LONG WALK HOME offers the music of Peter Gabriel at its most electrifying..."
Rovi

Nearly a full decade after the release of Us, Peter Gabriel finally returned with new music in the summer of 2002 -- but it wasn't a new studio album, it was the soundtrack to Phillip Noyce's return to independent Australian cinema, Rabbit-Proof Fence. The film tells the true story of three Aboriginal girls who make a return to their home after being abducted by the government to serve as domestic help to a white family in 1931; as they make their journey through the Outback to their home, they follow the Rabbit-Proof Fence, which had been constructed to prevent animals deemed agricultural pests -- including rabbits, dingoes, and foxes -- from crossing into Western Australia agricultural lands. This, understandably, is a moody, emotional piece, and Gabriel was an ideal choice for the soundtrack, since he proved with his score for Martin Scorsese's The Last Temptation of Christ that he could stay faithful to the indigenous music of the region while synthesizing it with his own synth-based art-rock, providing a haunting, emotionally resonant soundtrack to the film. He does a similar thing here, using Aboriginal music as a foundation for much of his music, yet winding up with a score that's ultimately closer to Birdy than Passion. That's largely due to its long stretches of moody, spare keyboards, which dominate much of the album. The keyboards are the dominant sound here, not the rhythms, but it all blends together for a very evocative, dark yet hopeful set of music. It's not a splashy comeback, then, but a quiet return to something Gabriel does best -- creating soundscapes that are at once alien and familiar, eerie yet comforting. That he hasn't done this in a while does not diminish the fact that he's created a strong instrumental piece that stands on its own, outside of the film, holding its own with Birdy and Passion. And it only whets the appetite for a full-scale comeback.
Rovi

Nearly a full decade after the release of Us, Peter Gabriel finally returned with new music in the summer of 2002 -- but it wasn't a new studio album, it was the soundtrack to Phillip Noyce's return to independent Australian cinema, Rabbit-Proof Fence. The film tells the true story of three Aboriginal girls who make a return to their home after being abducted by the government to serve as domestic help to a white family in 1931; as they make their journey through the Outback to their home, they follow the Rabbit-Proof Fence, which had been constructed to prevent animals deemed agricultural pests -- including rabbits, dingoes, and foxes -- from crossing into Western Australia agricultural lands. This, understandably, is a moody, emotional piece, and Gabriel was an ideal choice for the soundtrack, since he proved with his score for Martin Scorsese's The Last Temptation of Christ that he could stay faithful to the indigenous music of the region while synthesizing it with his own synth-based art rock, providing a haunting, emotionally resonant soundtrack to the film. He does a similar thing here, using Aboriginal music as a foundation for much of his music, yet winding up with a score that's ultimately closer to Birdy than Passion. That's largely due to its long stretches of moody, spare keyboards, which dominate much of the album. The keyboards are the dominant sound here, not the rhythms, but it all blends together for a very evocative, dark yet hopeful set of music. It's not a splashy comeback, then, but a quiet return to something Gabriel does best -- creating soundscapes that are at once alien and familiar, eerie yet comforting. That he hasn't done this in a while does not diminish the fact that he's created a strong instrumental piece that stands on its own, outside of the film, holding its own with Birdy and Passion. And it only whets the appetite for a full-scale comeback. ~ Stephen Thomas Erlewine
Rovi

『裸足の1500マイル』(2002)サウンドトラック (原題 ラビット・プルーフ・フェンス、アルバム・タイトル は「ロング・ウォーク・ホーム」) 音楽 ピーター・ガブリエル 監督 フィリップ・ノイス 久々にピーター・ガブリエルが手がけたサウンドトラック は、1931年のオーストラリアを舞台にした2人の姉妹の 物語のための音楽。実験音楽とエスニック・ミュージック の融合ともいうべきサウンドをさらに進化させたような アプローチは、聴く者に少なからず衝撃を与えずには いられない。喩えようもない、ガブリエルのサウンドは, まさしく彼のエスニック音楽専門レーベル、リアルワールド の最終地点を示しているかのよう。驚きのサウンドを 聴きたい方は必聴!!! (C)馬場敏裕
タワーレコード(2004/10/10)

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。