| フォーマット | CDアルバム |
| 発売日 | 2021年04月23日 |
| 国内/輸入 | 輸入 |
| レーベル | Vmlas |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 8122382 |
| SKU | 724381223826 |
構成数 : 1枚
合計収録時間 : 00:58:46
Original score composed by Peter Gabriel.
Personnel includes: Peter Gabriel (vocals, piano, keyboards, surdo);
Janganpa Group, The Blind Boys Of Alabama, Myarn Lawford (vocals); David Rhodes (guitar, didgeridoo, keyboards, surdo, percussion, background vocals); Richard Evans (12-string guitar, hammered dulcimer, whistle, bass, shaker, percussion); Shankar (violin); Electra Strings, London Session Orchestra (strings); David Sancious (Hammond B-3 organ); Ged Lynch (drums, percussion); Manu Katche (drums); The Dhol Foundation (dhol); Alex Swift (programming).
Producers: Peter Gabriel, Richard Evans, David Rhodes, Stephen Hague.
Principally recorded at Real World, Air Studios, England; Hype Studio, Singapore.
Personnel: Peter Gabriel (vocals, piano, keyboards, surdo, drum programming); David Rhodes (vocals, guitar, acoustic guitar, electric guitar, berimbau, didjeridu, keyboard bass, shaker, surdo, percussion, gong, background vocals); Benet Houariyat, Nusrat Fateh Ali Khan, The Blind Boys of Alabama (vocals); Richard Evans (whistling, acoustic guitar, electric 12-string guitar, hammer dulcimer, piano, keyboards, shaker, crotales); Peter Green (electric guitar); Julian Leaper, Mark Berrow, Christopher Tombling, Jacqueline Norrie, Antonia Fuchs, Peter G. Hanson, Fenella Barton, Duchess Nell Catchpole, Sally Herbert, Patrick Kiernan, Boguslav Kostecki, Cathy Thompson, Gavyn Wright, Jackie Shave (violin); Donald McVay, Claire Orsler, Robert Smissen, Roger Chase, Jocelyn Pook, Peter Lale (viola); Ben Chappell, David Daniels , Martin Loveday, Anthony Pleeth , Dinah Beamish (cello); Electra Strings, London Session Orchestra (strings); Chuck Norman (keyboards, programming); Chris Laurence , Mary Scully (double bass); Ged Lynch (drums, tom tom, percussion); Stephen Hague (drums, programming); Johnny Kalsi (drums, sound effects); Dhol Foundation, Manu Katche (drums); Assane Thaim (talking drum); James McNally (bodhran); Hossam Ramzy (finger cymbals); Babacar Faye (djembe); Richard Chappell (tambourine, drum programming); Dominique Mahut, Adzido Pan African Dance Ensemble (percussion); Alex Swift (programming).
Audio Mixers: David Rhodes; Stephen Hague; Richard Evans .
Recording information: Air Studios, London, England; Hype Studios, Singapore; Lavanderia, Unites States; real World Studios, England.
Photographers: Penny Tweedle; Melvin Bishop.
Arrangers: David Rhodes; Richard Evans .
Nearly a full decade after the release of Us, Peter Gabriel finally returned with new music in the summer of 2002 -- but it wasn't a new studio album, it was the soundtrack to Phillip Noyce's return to independent Australian cinema, Rabbit-Proof Fence. The film tells the true story of three Aboriginal girls who make a return to their home after being abducted by the government to serve as domestic help to a white family in 1931; as they make their journey through the Outback to their home, they follow the Rabbit-Proof Fence, which had been constructed to prevent animals deemed agricultural pests -- including rabbits, dingoes, and foxes -- from crossing into Western Australia agricultural lands. This, understandably, is a moody, emotional piece, and Gabriel was an ideal choice for the soundtrack, since he proved with his score for Martin Scorsese's The Last Temptation of Christ that he could stay faithful to the indigenous music of the region while synthesizing it with his own synth-based art rock, providing a haunting, emotionally resonant soundtrack to the film. He does a similar thing here, using Aboriginal music as a foundation for much of his music, yet winding up with a score that's ultimately closer to Birdy than Passion. That's largely due to its long stretches of moody, spare keyboards, which dominate much of the album. The keyboards are the dominant sound here, not the rhythms, but it all blends together for a very evocative, dark yet hopeful set of music. It's not a splashy comeback, then, but a quiet return to something Gabriel does best
録音 : ステレオ (Studio)
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