Jazz
CDアルバム

Martes

0.0

販売価格

¥
2,290
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2002年04月27日
国内/輸入 輸入
レーベルLeaf
構成数 1
パッケージ仕様 -
規格品番 BAY23CD
SKU 666017032429

構成数 : 1枚
合計収録時間 : 00:51:48
Audio Mixer: Fernando Corona. Recording information: Plasma. Fernando Corona had a stated purpose for his debut album as Murcof: Take contemporary composition and introduce it to the world of minimalist Mexican techno. Originally released only in Mexico in late 2001, Martes didn't see broader distribution until the middle of 2002, when the Leaf label saw fit to reissue the record in North America and Europe. The album was quite a departure for Corona, already widely known in Mexico as Terrestre, whose decidedly funkier fusion of traditional norteno and electronica had already become a staple of Tijuana's Nortec Collective. Martes (Spanish for "Tuesday") is far afield of Terrestre's bootylicious grooves. In this much more intimate affair, Corona isolates the smallest elements of select classical works, such as a plucked string, one bow length across a cello, or a furious pound on a piano's keyboard, and integrates them with beats similar to those programmed by Morr Music or blip-hop artists. The result is a moody recontextualization of contemporary classical music, in which, though dismembered, the original pieces find new life and space to breathe while somehow maintaining their original mood. ~ Bryan Carroll
録音 : ステレオ (Studio)

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作品の情報

メイン
アーティスト: Murcof

商品の紹介

Debut album by Tijuana, Mexico's Fernando Corona, a former member of the mysterious Nortec Collective. Combines the seemingly mismatched genres of minimalist electronica and contemporary classical composition in the vein of Henryk Gorecki and Arvo Part. A soothing, spiritual sound with lush strings and piano set to chilled-out dancefloor beats.|
Rovi

Fernando Corona had a stated purpose for his debut album as Murcof: Take contemporary composition and introduce it to the world of minimalist Mexican techno. Originally released only in Mexico in late 2001, Martes didn't see broader distribution until the middle of 2002, when the Leaf label saw fit to reissue the record in North America and Europe. The album was quite a departure for Corona, already widely known in Mexico as Terrestre, whose decidedly funkier fusion of traditional norteno and electronica had already become a staple of Tijuana's Nortec Collective. Martes (Spanish for "Tuesday") is far afield of Terrestre's bootylicious grooves. In this much more intimate affair, Corona isolates the smallest elements of select classical works, such as a plucked string, one bow length across a cello, or a furious pound on a piano's keyboard, and integrates them with beats similar to those programmed by Morr Music or blip-hop artists. The result is a moody recontextualization of contemporary classical music, in which, though dismembered, the original pieces find new life and space to breathe while somehow maintaining their original mood. ~ Bryan Carroll
Rovi

コンテクストからリリースしたEPで注目されていたメキシコのアーティストによる初フル・アルバム。ここ最近、一貫したアトモスフィアを感じさせるリリースが多いリーフの作品中でも、ダントツにメッセージ性が高いグローバル・サウンド。カラカラに乾ききったリズム・トラックに連動する奇妙なストリングスのカットアップ、極限に削がれて静かに迫り来る感情は、あからさまなそれより何倍も昂揚度が高い。
bounce (C)蓮田由希
タワーレコード(2002年6月号掲載 (P104))

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