Moffou [Digipak]

YOUSSOU N'DOURと並ぶ、西アフリカの男性シンガーの頂点。

Sometimes a return to basics can be the best way for an artist to move forward. For Salif Keita, that's definitely the case with Moffou. In spite of using a hefty number of musicians (17, plus six backing vocalists), the sound is very stripped-down. Even the supple electric guitar work of Djeli Moussa Kouyate is mellow and low-key. The real beauty here is Keita's voice, carefully framed and used to maximum effect. High, almost piercing, it's a gorgeous instrument that can ride and transform a melody, whether the lulling gentleness of "Yamore" or the more upbeat -- but never frenzied -- "Iniagige." Overall, it's a record of swaying, seductive gentleness, one perfectly suited to Keita's style. After a few artistic missteps, he needs an album like this to reaffirm who he is and give a renewal to his sound. While it's strongly rooted, it's by no means strictly a Malian roots album; that's never been all of his music by any means. While ineffably West African, there's a lovely light sheen to the production that could only be European, and serves the sound well, smoothing it out but never losing the intimate flavor that's at the album's heart. Moffou reaffirms Keita's star status, and his reputation as one of the world's most glorious voices. ~ Chris Nickson

タイトルはサリフがマリでオープンさせたクラブの名前から取ったという。そして自身のルーツに目を向けようとする思いも込められているそうだ。さて、今回の彼は穏やかでリラックスした歌を聴かせてくれる。セザリア・エヴォラがフィーチャ－された冒頭からしっとりとしたアコースティック・サウンドに包まれており、サリフの声の懐の深さが際立って響いてくる。母なる大地に佇むひとりの男の姿が浮かぶ、そんなアルバムだ。
bounce (C)桑原シロー