| フォーマット | Blu-ray Disc |
| 発売日 | 2020年12月01日 |
| 国内/輸入 | 輸入 |
| レーベル | Criterion Collection |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | CCIN3206BR |
| SKU | 715515253611 |
※日本語字幕無し
構成数 : 1枚
DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES
・New 4K digital restoration supervised by cinematographer Peter Suschitzky, and 5.1 surround DTS-HD Master Audio soundtrack, both approved by director David Cronenberg
・Audio commentary from 1997 featuring Cronenberg
・Press conference from the 1996 Cannes Film Festival featuring Cronenberg; author J. G. Ballard; producers Robert Lantos and Jeremy Thomas; and actors Rosanna Arquette, Holly Hunter, Elias Koteas, James Spader, and Deborah Kara Unger
・Q&A from 1996 with Cronenberg and Ballard at the National Film Theatre in London
・Behind-the-scenes footage and press interviews from 1996
・Trailers
・English subtitles for the deaf and hard of hearing
・PLUS: An essay by film critic Jessica Kiang
New cover by Phil Hale
Cast
James Spader … James Ballard
Holly Hunter … Helen Remington
Elias Koteas … Vaughan
Deborah Kara Unger … Catherine Ballard
Rosanna Arquette … Gabrielle
Peter MacNeill … Colin Seagrave
Credits
Director … David Cronenberg
Written by … David Cronenberg
Produced by … David Cronenberg
Based on the book by … J. G. Ballard
Executive producer … Robert Lantos
Executive producer … Jeremy Thomas
Coexecutive producer … Andras Hamori
Coexecutive producer … Chris Auty
Coproducer … Stephane Reichel
Coproducer … Marilyn Stonehouse
Director of photography … Peter Suschitzky
Production design by … Carol Spier
Edited by … Ronald Sanders
Music by … Howard Shore
Costume design by … Denise Cronenberg
Casting by … Deirdre Bowen
Canada
1996
100 minutes
Color
1.66:1
English
For this icily erotic fusion of flesh and machine, David Cronenberg adapted J. G. Ballard's future-shock novel of the 1970s into one of the most singular and provocative films of the 1990s. A traffic collision involving a disaffected commercial producer, James (James Spader), and an enigmatic doctor, Helen (Holly Hunter), brings them, along with James's wife, Catherine (Deborah Kara Unger, in a sublimely detached performance), together in a crucible of blood and broken glass-and it's not long before they are all initiated into a kinky, death-obsessed underworld of sadomasochistic car-crash fetishists for whom twisted metal and scar tissue are the ultimate turn-ons. Controversial from the moment it premiered at Cannes-where it won a Special Jury Prize "for originality, for daring, and for audacity"-Crash has since taken its place as a key text of late-twentieth-century cinema, a disturbingly seductive treatise on the relationships between humanity and technology, sex and violence, that is as unsettling as it is mesmerizing.

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