Moontower (Deluxe in O-Card)

Edge of Sanity(エッジ・オブ・サニティ)の中心メンバー=ダン・スワノ
27年の時を経て、唯一のソロ・アルバム『Moontower』が待望のリイシュー

27年の時を経て、ダン・スワノ唯一のソロ・アルバム『Moontower』が待望のリイシュー。本作は、Edge of Sanity(エッジ・オブ・サニティ)の中心メンバーであり、ミュージシャン/ソングライター/プロデューサーとして名高いダン・スワノが生み出した、"1972年のデスメタル"へのオマージュともいえる独創的な1998年発表の作品『Moontower』。
スワノ自身がリマスターを担当し、CD2には16曲・71分に及ぶ豪華ボーナス・ディスクを収録。「Sun of the Night」「Uncreation」「Add Reality」「In Empty Phrases」などの代表曲を収録。うなるギター、渦巻くキーボード、圧巻のヴォーカルが交差し、スワノの創造性が最も輝く1枚となっている。

After spending a decade redefining the boundaries of death metal as the increasingly dominant force behind Sweden's Edge of Sanity, it was only natural for singer and multi-instrumentalist Dan Swano to formally step out on his own, first with a 1998 EP, and shortly thereafter with his first solo album, 1999's Moontower. In fact, Swano took it upon himself to produce, record, and perform every instrument on the album, completing the package with a close-up of his eyeball serving as cover art, and therefore leaving no doubt as to how personal a statement this was. Musically, Moontower delivered a progressive brand of death metal characterized by widespread keyboards cleverly used to offset the singer's persistent death growls and signature guitar riff inventiveness, thus making it a natural progression for Edge of Sanity fans to enjoy, whether they still held the band's dissolution against Swano or not. It's difficult to stay mad at the man for long, though, thanks to the memorable hooks and bludgeoning heaviness displayed by standouts like "Sun of the Night," "In Empty Phrazes," "Uncreation" (whose stately synthesizers actually bring British neo-proggers Marillion to mind), and the Rush-on-steroids of the instrumental "Encounterparts." Elsewhere, Swano's recent involvement with soon-to-be progressive death metal giants Opeth is reflected in the more aggressive "Creating Illusions" (right down to the sudden acoustic guitar interlude), but his soft edges also come through on the romantic "Add Reality," written about his fiancee. All in all, Moontower benefits from the full range of Swano's talent, if not the full range of his musical interests, thereby keeping it musically focused and surprisingly safe from the rampant self-indulgence one might expect of such a belated solo debut. As it turns out, the man's restraint is the listener's reward…yet again. ~ Eduardo Rivadavia