It's Immaterial (10th Anniversary Edition)＜限定盤/Marbled Black & White Vinyl＞

2016年にリリースされニューウェイヴ/シンセポップの基盤をより温かく、旋律的な表現へと磨き上げた作品。クリス・スチュワートの印象的なバリトン・ヴォーカルを軸に、アナログ・シンセサイザー、脈打つベースライン、ミニマルなリズムが織り成すサウンドは、ノスタルジックでありながら前を見据えた感触を同時に備えています。

After releasing the promising album A Different Arrangement, the synth pop/darkwave duo Black Marble basically vanished. Turns out the two guys (Chris Stewart and Ty Kube) went their separate ways, and Stewart left Brooklyn for the West Coast. He took over the bands name again and started working on another album, 2016s Its Immaterial. Anyone who liked the gloomy, muted sound of the first record, which mixed together Stewarts disembodied vocals, Peter Hook-style basslines, janky drum machines, and synths so cold theyd freeze water, wont be disappointed with this record. If anything, Stewarts solitary work arrangement led to a more focused and direct sound. He boosted his vocals a little, cleaned up a bit of the murk, and gave the hooks a little more room to maneuver. It still sounds like music being played by someone down the hall, just barely making it through the air to your ears, but this time its just that much clearer and easier to process. Quite of the few of the songs here could have been polished a little more and ended up being the kind of tracks lovers of John Hughes movies and/or the Drive soundtrack could embrace. To Stewarts credit, he doesnt go for the easy kill; he keeps things mysterious and a little detached, never giving away feelings that could stay a little hidden, never dumbing things down to get a fan base. Stewart is content to work on the fringes of the synth pop underground, and thats the kind of iconoclasm that makes Its Immaterial worth seeking out for fans of the sound who are sick of how omnipresent it seems. ~ Tim Sendra