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DVD/ブルーレイ
Blu-ray Disc

Haxan (魔女)(Criterion Collection)

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6,390
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お取り寄せ
発送目安
14日~35日
フォーマット Blu-ray Disc
発売日 2019年10月15日
国内/輸入 輸入
レーベルCriterion Collection
構成数 1
パッケージ仕様 -
規格品番 CCIN3076BR
SKU 715515235617

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構成数 : 1枚

BLU-RAY SPECIAL EDITION FEATURES
・New 2K digital restoration
・NMusic from the 1922 Danish premiere, arranged by film-music specialist Gillian B. Anderson and performed by the Czech Film Orchestra in 2001, presented in 5.0 surround DTS-HD Master Audio
・NAudio commentary from 2001 featuring film scholar Casper Tybjerg
・NWitchcraft Through the Ages (1968), a seventy-six-minute version of Haxan narrated by author William S. Burroughs, with a soundtrack featuring violinist Jean-Luc Ponty
・NDirector Benjamin Christensen's introduction to the 1941 rerelease
・NOuttakes
・NBibliotheque diabolique, a photographic exploration of Christensen's historical sources, created in 2001
・NPLUS: An essay by critic Chris Fujiwara, remarks on the score by Anderson, and an essay by scholar Chloe Germaine Buckley

Cover by Glyn Smith

Cast
Benjamin Christensen … The devil
Astrid Holm … The printer's wife, Anna
Karen Winther … Anna's sister
Maren Pedersen … Maria the weaver, a witch
Wilhelmine Henriksen … Apelone, a poor old woman
Kate Fabian … Old maid
Oscar Stribolt … Friar
Clara Pontoppidan … Sister Cecilia
Alice O'Fredericks … Nun
Johannes Andersen … Father Henrik, witch judge
Elith Pio … Johannes, witch judge
Aage Hertel … Witch judge
Ib Schonberg … Witch judge
Poul Reumert … Jeweler
Albrecht Schmidt … Alienist

Credits
Director … Benjamin Christensen
Written by … Benjamin Christensen
Cinematography … Johan Ankerstjerne
Editing … Edla Hansen
Set decoration … Richard Louw

Denmark
1922
105 minutes
Black & White
1.33:1
Swedish

  1. 1.[Blu-ray Disc]

Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary silent film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages and early modern era suffered from the same ills as psychiatric patients diagnosed with hysteria in the film's own time. Far from a dry dissertation on the topic, the film itself is a witches' brew of the scary, the gross, and the darkly humorous. Christensen's mix-and-match approach to genre anticipates gothic horror, documentary re-creation, and the essay film, making for an experience unlike anything else in the history of cinema.

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