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Soul/Club/Rap
LPレコード

Born Again<限定盤>

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フォーマット LPレコード
発売日 2026年02月13日
国内/輸入 輸入
レーベルMusic On Vinyl
構成数 1
パッケージ仕様 180g重量盤
規格品番 MOVLP3934
SKU 8719262040625

構成数 : 1枚
エディション : Reissue

  1. 1.[LPレコード]

    【A面】

    1. 1.
      I'll Be There
    2. 2.
      Something
    3. 3.
      We've Only Just Begun
    4. 4.
      Hot Pants
  2. 1.[LPレコード]

    【B面】

    1. 1.
      Make It With You
    2. 2.
      Luv Bugg
    3. 3.
      Wah Wah Man
    4. 4.
      Queen Of The Nile
    5. 5.
      Blood In The Streets
    6. 6.
      Save The Day

作品の情報

メイン
アーティスト: Young Holt Unlimited

商品の紹介

Following up the creative -- if not commercial -- peak of Mellow Dreamin' and the departure of Kenneth Chaney as the band's full-time keyboardist, Young-Holt Unlimited took another detour. Born Again is a perfect reflection of its time -- which does not mean it sounds dated. This is early 1971 in the aftermath of the summers of love and hate, the assassinations of Bobby Kennedy and Martin Luther King, Jr., and the height of the Vietnam War. Young-Holt Unlimited wanted to lay out a music that brought people together at a very tense juncture and offer a more spiritual vibe form which to groove according to Brother Isaac "Redd" Holt's liner notes. Kenneth Chaney was in the process of leaving the group, with Bobby Lyle moving in to replace him. Chaney appears on three tracks, and Marylean Holt appears on one. The set opens with swinging version of "I'll Be There." The groove is up-tempo, slippery and almost gospel in intent with Lyle on B3 playing counterpoint to Young's eight-string "lead" bass; it's breathtaking. Likewise, an extended version of George Harrison's "Something," with Eldee playing both electric and upright is a blissed-out mind-bender. Other covers, Such as "We've Only Just Begun," and Bread's "Make It With You," sound like paeans to reconciliation and brotherhood as much as they do love songs. The tempos are breezy, the textural production elements -- by the murky and mysterious Saturday Night Music Inc. brain trust -- swirl and shimmer through the mixes. There is great contrast on Holt's elegy "Blood in the Streets," with its muted, funereal drumbeat, an emotive yet street savvy string arrangement by Richard Evans and a haunted backing chorus. Still, the sweet groove is here, too in Marylean Holt's simmering "Luv Bug," Evans' funky to the hilt "Hot Pants," and Young's finger poppin' booty shaker "Wah Wah Man." If Young and Holt wanted to put something across that offered people an opportunity to agree on something, that something was groove, and a spiritual groove to boot. It's positive, mood altering, thought-provoking and butt-shaking. Born Again is a winner on all counts. ~ Thom Jurek
Rovi

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