Tenterhooks

The most surprising aspect of Silversun Pickups seventh album (and third with Butch Vig) isnt that its a major shift from the bands core sound of crunchy riffs, thick bass grooves, and distinctive vocals. Its that Tenterhooks is a bit of a drag compared to the rest of their catalog. Yet in the bands defense, when considering the albums title -- "on tenterhooks" can mean being in a state of anxiety, tension, unease, or suspense -- theyve made it clear from the outset that this effort is no Swoon or Better Nature. Its just up to the listener to decide if this is the SSPU that they need at the moment. The grand, slow-building opener "New Wave" expands with cinematic scope, pulling back the curtains to introduce this dour journey. The dark, minor-key plodder of "The Wreckage" comes closest to a "classic" SSPU single, complete with trademark vocal interplay between Brian Aubert and Nikki Monninger, whose persistent bass wobble adds a suspenseful tone alongside Christopher Guanlaos precision drumming and Joe Lesters ominous synths and piano flourish. "Wakey Wakey" has the same unnerving effect, driving toward a destination that is never quite reached, which amplifies the anxiety on an already discomfiting set. Meanwhile, album highlight "Au Revoir Reservoir" features Monninger back on lead vocals after her spotlight moments on Physical Thrills, adding some much-needed air to an otherwise suffocating experience. Overall, Tenterhooks is one of the darker and more internal SSPU albums that stresses atmosphere over energy, which will hit listeners who enjoy their more thoughtful and introspective material, but may miss fans craving cathartic ragers and catchy anthems. ~ Neil Z. Yeung