Rock/Pop
CDアルバム

Simpatico! (Remastered and Expanded)

0.0

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フォーマット CDアルバム
発売日 2026年02月13日
国内/輸入 輸入
レーベルSub Pop
構成数 1
パッケージ仕様 -
規格品番 SPCD1703
SKU 098787170320

構成数 : 1枚
合計収録時間 : 00:59:13
エディション : Remaster

  1. 1.[CDアルバム]
    1. 1.
      Sorry Again
    2. 2.
      There's Only One Thing Left to Say
    3. 3.
      Tripping Wires
    4. 4.
      I Can't Stop Smiling
    5. 5.
      The All-Consumer
    6. 6.
      Drug Girls
    7. 7.
      Rubble
    8. 8.
      Labrador
    9. 9.
      Hey You, Get Off My Moon
    10. 10.
      Medio Core
    11. 11.
      What You Left Behind
    12. 12.
      Wake Up, I'm Leaving
    13. 13.
      Marzipan
    14. 14.
      Labrador [Drum Machine Version]
    15. 15.
      Diamond Jubilee
    16. 16.
      What You Left Behind (Reprise)
    17. 17.
      Your Silent Face
    18. 18.
      You're So Good to Me
    19. 19.
      Seven Seas
    20. 20.
      Breaking Lines

作品の情報

メイン
アーティスト: Velocity Girl

オリジナル発売日:1994年

商品の紹介

The problem with Copacetic was the dingy production, so for Simpatico, Velocity Girl hooks up with the Smiths first LP producer John Porter. Flaw corrected. Perhaps too much? Some have expressed the opinion that Porter has neutered them somewhat, and indeed, the rawer edges have largely been relinquished, but so what? They sound great now, much tighter, more convincing, more together. Constant touring has obviously toughened and synchronized them, so credit them for a lot of thankless, hard work. Simpatico, at the least, is a three-times-better version of their first LP, which is the small flaw now -- they dont seem to have enlarged their scope much, still clinging to the chiming guitar version of the Wedding Present meets the Shangri-Las they started with long ago -- remember when My Forgotten Favorite was on so many of our turntables? And the problem with narrow scopes is that some of the songs just arent going to click as much as the better versions of the same thing. But if they arent going to change their sound, or to a lesser extent, their style; at least they can keep getting better at it, and that is the case, so there are more big delights. "Drug Girls" has a sharp chorus, and the best song, "Rubble," adds a New Order bass and acoustic. "Hey You, Get Off My Moon" at least attempts a slow ballad, and "What You Left Behind" and the single "Sorry Again" are big-time hooky. Porter seems to have worked Sarah Shannon into singing stronger and more firmly. Its time to move on, but for now, theres plenty to enjoy. ~ Jack Rabid
Rovi

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