Goodbye

構成数 : 1
合計収録時間 : 00:36:44
Personnel includes: Milt Jackson (vibraphone); Don Sebesky (arranger); Freddie Hubbard (trumpet, flugelhorn); Hubert Laws (flute); Max Ellen, Paul Gershman, Emanuel Green, Charles Libove, Joe Malin, David Nadien, Gene Orloff (violin); Charles McCracken, George Ricci, Alan Shulman (cello); Margaret Ross (harp); Cedar Walton, Herbie Hancock (piano); Jay Berliner (guitar); Ron Carter (bass); Billy Cobham, Steve Gadd (drums); Ralph MacDonald (percussion). Producer: Creed Taylor. Reissue producer: Didier C. Deutsch. Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey. Originally released on CTI Records. Includes liner notes by Didier C. Deutsch. All tracks have been digitally remastered. Personnel: Milt Jackson (vibraphone); Jay Berliner (guitar); Margaret Ross (harp); Elliot Rosoff, Gene Orloff, Irving Spice, Max Ellen, Paul Gershman, Emanuel Green (violin); Charles McCracken , Alan Shulman, George Ricci (cello); George Marge, Phil Bodner, Romeo Penque (flute, alto flute, piccolo, clarinet, bass clarinet, oboe, English horn); Hubert Laws (flute); Freddie Hubbard (trumpet, flugelhorn); Herbie Hancock, Cedar Walton (piano); Steve Gadd , Billy Cobham (drums); Ralph MacDonald (percussion). Liner Note Author: Didier C. Deutsch. Recording information: Van Gelder Studios, Englewood Cliffs, NJ (12/12/1972-12/06/1973). Arranger: Don Sebesky. Milt Jackson's image is set in stone for many as the vibes master of the Modern Jazz Quartet, playing a classy, cerebral variation on bop. In his solo recordings, though, Milt tended to leave the tuxedo in the closet and offer a less rarified, more swinging bebop sound. While this 1974 CTI release doesn't sport the amped-up jazz funk of the label's contemporaneous releases, it contains just as much energy and emotion. Jackson's vibes work is dazzling but never flashy, as he bounces off Cedar Walton's piano and especially Hubert Laws's flute in compositions that move from insistent swing to poignant contemplation with no disruption of tone or momentum. The title tune that closes out the album features some of Jackson's most lyrical soloing over mid-tempo backing that's at once buoyant and sympathetic.
録音 : ステレオ (Studio)