Rock/Pop
CDアルバム

Hourglass [ECD]

5.0

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フォーマット CDアルバム
発売日 2002年01月07日
国内/輸入 輸入
レーベルColumbia
構成数 1
パッケージ仕様 -
規格品番 4877482
SKU 5099748774828

構成数 : 1枚
合計収録時間 : 00:51:51
This is a multi-channel Super Audio CD playable only on Super Audio CD players.
Personnel: James Taylor (vocals, acoustic guitar, harmonica, penny whistle); Valerie Carter, David Lasley, Kate Markowitz, Arnold McCuller, Shawn Colvin, Jill Dell'Abate, Sting (vocals); Bob Mann (guitar); Dan Dugmore (pedal steel guitar); Ross Traut (high strung guitar); Mark O'Connor (fiddle); Yo-Yo Ma (cello); Stevie Wonder (harmonica); Branford Marsalis (soprano & alto saxophones); Michael Brecker (tenor saxophone); Clifford Carter (keyboards); Jimmy Johnson (bass); Edgar Meyer (acoustic bass); Carlos Vega (drums, percussion).
Recorded at Chalker's Creek, Martha's Vineyard, Massachusetts; Westlake Audio, Los Angeles, California; Right Track Studios, New York, New York.
HOURGLASS won the 1998 Grammy Awards for Best Pop Album and for Best Engineered Album, Non-Classical.
James Taylor is the godfather of the sensitive singer-songwriter movement of the '70s that clogged the charts with introspective folk-rock ballads and kept scores of troubadour manques up to their well-studied navels in champagne and caviar. He was the Nirvana to that generation's Bush and Stone Temple Pilots, an innovator besieged by imitators. But his '70s-godhead status hasn't hurt him any; he just keeps confessing and crooning on. HOURGLASS more or less follows the path of the last several Taylor releases: precisely articulated, carefully constructed songs that favor soft, muted colors over anything too brash or aggressive; and sinuous, literary songs delivered in Taylor's smooth, relaxed croon. True to form, Taylor pushes all the right boomer buttons on HOURGLASS. The opening cut begins with Richard Nixon's impeachment, and then turns into the kind of inward-looking self-exploration that is Taylor's specialty.

  1. 1.[CDアルバム]
    1. 1.
      Line 'Em Up

      録音:Studio

      アーティスト: James Taylor

    2. 2.
      Enough To Be On Your Way

      録音:Studio

      アーティスト: James Taylor

    3. 3.
      Little More Time With You

      録音:Studio

      アーティスト: James Taylor

    4. 4.
      Gaia

      録音:Studio

      アーティスト: James Taylor

    5. 5.
      Ananas

      録音:Studio

      アーティスト: James Taylor

    6. 6.
      Jump Up Behind Me

      録音:Studio

      アーティスト: James Taylor

    7. 7.
      Another Day

      録音:Studio

      アーティスト: James Taylor

    8. 8.
      Up Er Mei

      録音:Studio

      アーティスト: James Taylor

    9. 9.
      Up From Your Life

      録音:Studio

      アーティスト: James Taylor

    10. 10.
      Yellow And Rose

      録音:Studio

      アーティスト: James Taylor

    11. 11.
      Boatman

      録音:Studio

      アーティスト: James Taylor

    12. 12.
      Walking My Baby Back Home

      録音:Studio

      アーティスト: James Taylor

作品の情報

メイン
アーティスト: James Taylor

その他
エンジニア: Frank Filipetti

商品の紹介

Rolling Stone - 3.5 Stars (out of 5) - "...HOURGLASS glows with the wistful contentment of a man who has lived fully and learned well....change and rebirth are recurring themes..." Entertainment Weekly - "...contains few musical surprises. But fans will find it utterly warm and comforting....And his happiness at just singin' is palpable." - Rating: B Entertainment Weekly - "...contains few musical surprises. But fans will find it utterly warm and comforting....And his happiness at just singin' is palpable." - Rating: B Rolling Stone - 3.5 Stars (out of 5) - "...HOURGLASS glows with the wistful contentment of a man who has lived fully and learned well....change and rebirth are recurring themes..." Rolling Stone (5/29/97, p.49) - 3.5 Stars (out of 5) - "...HOURGLASS glows with the wistful contentment of a man who has lived fully and learned well....change and rebirth are recurring themes..." Entertainment Weekly (5/23/97, p.64) - "...contains few musical surprises. But fans will find it utterly warm and comforting....And his happiness at just singin' is palpable." - Rating: B
Rovi

James Taylor is the godfather of the sensitive singer-songwriter movement of the '70s that clogged the charts with introspective folk-rock ballads and kept scores of troubadour manques up to their well-studied navels in champagne and caviar. He was the Nirvana to that generation's Bush and Stone Temple Pilots, an innovator besieged by imitators. But his '70s-godhead status hasn't hurt him any; he just keeps confessing and crooning on. HOURGLASS more or less follows the path of the last several Taylor releases: precisely articulated, carefully constructed songs that favour soft, muted colours over anything too brash or aggressive; and sinuous, literary songs delivered in Taylor's smooth, relaxed croon. True to form, Taylor pushes all the right boomer buttons on HOURGLASS. The opening cut begins with Richard Nixon's impeachment, and then turns into the kind of inward-looking self-exploration that is Taylor's speciality.|
Rovi

James Taylor stopped pushing himself into new musical and lyrical territories in the late '70s, so it doesn't come as a great surprise that Hourglass, his first studio album in six years, doesn't offer anything new -- it's a collection of pleasant, melodic, simple songs about love, family, and social activism. That's not necessarily a bad thing, since Taylor has a gift for such material, and on Hourglass, he sounds as good as ever. The music, in many ways, has greater depth than previous records, since it features cameos from such heavy hitters as Stevie Wonder, Yo-Yo Ma, Shawn Colvin, Michael Brecker, Mark O'Connor, and Branford Marsalis. There are a few songs that fall a little flat, failing to make much of an impression one way or the other, but on the whole, Hourglass is a nice addition to his catalog. ~ Stephen Thomas Erlewine
Rovi

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不振を極めた90年代から復活のきっかけとなった1997年の作品。ほぼ全ての曲がJTによるオリジナル曲であることからわかる様に、絶好調&かなりの気合が入っていたことが窺える。内容は初期の弾き語りスタイルの曲からジャジーでAORっぽい曲まで彼らしい曲が高いクオリティでズラリと並ぶ。何よりメロディと彼の声に迷いがない。
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