Jazz
CDアルバム

Above Buildings

0.0

販売価格

¥
1,089
税込
ポイント20%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2000年11月20日
国内/輸入 輸入
レーベルFat Cat
構成数 1
パッケージ仕様 -
規格品番 FAT/SP02
SKU 5024545130829

構成数 : 1枚
合計収録時間 : 00:00:00
The sounds on the Above Buildings album come from field recordings blended with noise from Schaefer's custom-built three-armed turntable, but the processing of these ingredients is so extensive the sources are impossible to identify. Whatever the roots of these tracks, Schaefer has brilliantly shaped them into a complex and unsettling work of sound art. Many of the pieces on Above Buildings are of interest to fans of dark, cinematic drone music. "Thousand Camera Corona" begins with deep bell-like tones, builds into an ominous rumble mixed with what sounds like buildings breathing, and then transforms into a piercing, high-pitched sine wave tone. "Forglen" uses the sound of chattering turntable static to add tension to an uncharacteristically warm and shimmering drone; the contrast is intriguing, almost like Oval remixing Windy & Carl. Another central figure on Above Buildings is Schaefer's extreme use of dynamic range. Passages of "Albarad" are so quiet as to be essentially inaudible, and then the track erupts into rich noise as loud as CD technology allows. Definitely on par with the best of similar artists like Fennesz, Above Buildings establishes Janek Schaefer as a major talent on the experimental music scene. ~ Mark Richardson

  1. 1.[CDアルバム]
    1. 1.
      Forglen

      アーティスト: Janek Schaefer

    2. 2.
      Spindle Spider

      アーティスト: Janek Schaefer

    3. 3.
      Contraption

      アーティスト: Janek Schaefer

    4. 4.
      Thousand Camera Corona

      アーティスト: Janek Schaefer

    5. 5.
      Tonearm Two

      アーティスト: Janek Schaefer

    6. 6.
      Indent Frame

      アーティスト: Janek Schaefer

    7. 7.
      Albarad

      アーティスト: Janek Schaefer

    8. 8.
      Light Over Las Vegas

      アーティスト: Janek Schaefer

作品の情報

メイン
アーティスト: Janek Schaefer

商品の紹介

Alternative Press - 4 out of 5 - "...A rich first effort....concentrating on the inversion and dissection of field recordings he has cultivated....usually invoking the crackle and pop of vinyl, or the massive hum of grossly amplified surface noise..."
Rovi

The sounds on the Above Buildings album come from field recordings blended with noise from Schaefer's custom-built three-armed turntable, but the processing of these ingredients is so extensive the sources are impossible to identify. Whatever the roots of these tracks, Schaefer has brilliantly shaped them into a complex and unsettling work of sound art. Many of the pieces on Above Buildings are of interest to fans of dark, cinematic drone music. "Thousand Camera Corona" begins with deep bell-like tones, builds into an ominous rumble mixed with what sounds like buildings breathing, and then transforms into a piercing, high-pitched sine wave tone. "Forglen" uses the sound of chattering turntable static to add tension to an uncharacteristically warm and shimmering drone; the contrast is intriguing, almost like Oval remixing Windy & Carl. Another central figure on Above Buildings is Schaefer's extreme use of dynamic range. Passages of "Albarad" are so quiet as to be essentially inaudible, and then the track erupts into rich noise as loud as CD technology allows. Definitely on par with the best of similar artists like Fennesz, Above Buildings establishes Janek Schaefer as a major talent on the experimental music scene. ~ Mark Richardson|
Rovi

The sounds on the Above Buildings album come from field recordings blended with noise from Schaefer's custom-built three-armed turntable, but the processing of these ingredients is so extensive the sources are impossible to identify. Whatever the roots of these tracks, Schaefer has brilliantly shaped them into a complex and unsettling work of sound art. Many of the pieces on Above Buildings are of interest to fans of dark, cinematic drone music. "Thousand Camera Corona" begins with deep bell-like tones, builds into an ominous rumble mixed with what sounds like buildings breathing, and then transforms into a piercing, high-pitched sine wave tone. "Forglen" uses the sound of chattering turntable static to add tension to an uncharacteristically warm and shimmering drone; the contrast is intriguing, almost like Oval remixing Windy & Carl. Another central figure on Above Buildings is Schaefer's extreme use of dynamic range. Passages of "Albarad" are so quiet as to be essentially inaudible, and then the track erupts into rich noise as loud as CD technology allows. Definitely on par with the best of similar artists like Fennesz, Above Buildings establishes Janek Schaefer as a major talent on the experimental music scene. ~ Mark Richardson
Rovi

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