Manniskobarn＜限定盤＞

Since debuting in 2022, Dina Ogon have maintained a remarkable consistency, releasing a trio of smart, tightly crafted pop albums infused with Tropicalia, soul, and indie pop with a slightly retro feel. Whats more, theyve done so on a schedule reminiscent of the 60s, delivering a new LP annually through 2024. That Manniskobarn, their fourth outing, is a double album is likely the only reason for their absence in 2025, and its worth the wait. Over 13 tracks, the Swedish quartet hones their signature mix, pairing intricate, sometimes cerebral melodies and grooves with a warm hi-fi sheen that recalls the heyday of 70s studio craft. Highlight "Dar huden ar tunnast" is a perfect distillation of this, with its propulsive soft rock feel and Fleetwood Mac-ian drama. The lush "Orden brann" is a showcase not only for Anna Ahnlunds radiant vocals, but for the bands ability to make high art feel both breezy and immersive. Because of Manniskobarns length, there is more experimentation too, like the light-hearted "Juvel" with its worldbeat feel and charming vocalese ad-libs from Ahnlund. On the gentle closer, "Helena," they pare down to the bare essentials with a rare acoustic folk track. Meanwhile, the symbiotic rhythm battery of Love Orsan (bass) and Christopher Cantillo (drums) remains one of the bands strongest assets, and guitarist Daniel Ogren, fresh off his 2025 solo outing, is as tasteful as ever. Given the uniform quality and appeal of their catalog, Dina Ogon might have made a larger footprint outside their home country by singing in English, but language is hardly a barrier for entry. Manniskobarn is another feather in their cap. ~ Timothy Monger