| フォーマット | CDアルバム |
| 発売日 | 2002年01月29日 |
| 国内/輸入 | 輸入 |
| レーベル | Lucky Dog (Epic) |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 85754 |
| SKU | 696998575424 |
構成数 : 1枚
合計収録時間 : 00:43:30
Personnel includes: Deryl Dodd (vocals, acoustic guitar); Troy Lancaster (guitar, baritone guitar); Steve Rhian (guitar); Wada Vick (mandolin, fiddle); Dean Brown (fiddle); Jim Brown (keyboards); Don Kerce (bass); Wayne Killius (drums).
Recorded at ABTrax Recording, Nashville, Tennessee.
Personnel: Deryl Dodd (vocals, acoustic guitar, background vocals); Pat Flynn (acoustic guitar); Steve Rhian, Reggie Young (electric guitar); Robby Turner (steel guitar, lap steel guitar); Jeff Surratt, Sonny Garrish (steel guitar); Troy Lancaster (baritone guitar); Wanda Vick (mandolin, fiddle); Dean Brown , Glen Duncan (fiddle); Catherine Styron (piano); Jim Ed Brown, Steve Nathan (keyboards); David Hungate, Don Kerce, Steve Carmack, Kevin Grantt (bass guitar); Eric Nelson, Randy Hardison, Wayne Killius, Owen Hale (drums); Larry Marrs, Harry Stinson, The Slugs, Tony Castle, Liana Manis (background vocals).
Audio Mixers: Chuck Ainlay; Kevin Beamish; Tony Castle.
Recording information: 328 Performance Hall, Nashville, TN; AbTrax Recording, Nashville, TN; Cigar Bar, Madison, TN; Downstage Studios, Nashville, TN; J&B's Cornhole, Madison, TN; Sound Stage Studios, Nashville, TN; Westwood Sound Studio, Nashville, TN.
Photographer: Matthew Barnes .
Continuing with the success of his honky tonk-fueled second album, Nashville recording artist Deryl Dodd plays up his Texas roots on Pearl Snaps. The opening title track is a barroom romp about how his girl loves the pearl snaps on his country-western-style shirts, and the follow-up, "She'll Have You Back," is complete with Bob Wills-style "aww-hawws." Well-placed covers by Tom T. Hall ("That's How I Got to Memphis") and Gordon Lightfoot ("Sundown") offer familiar reference points among these originals, most of which were co-written by the performer himself (a fact which is an increasing rarity on music row). Unfortunately, many of the songs begin to sound like a lot of the product in heavy rotation on CMT, despite Dodd's willingness to mix up styles somewhat, and the words "honky" and "tonk" show up in two song titles and at least three songs, demonstrating almost an overeagerness to repeat what has worked in the past. Still, Dodd's winning personality and his likable voice make for an enjoyable listen, and those who have picked up his previous releases will be more than pleased with Pearl Snaps. ~ Zac Johnson
録音 : ステレオ (Studio)
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