Jazz
CDアルバム

Music In The Key Of Clark: Remembering Sonny Clark

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販売価格

¥
2,490
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2002年01月15日
国内/輸入 輸入
レーベルHigh Note Records
構成数 1
パッケージ仕様 -
規格品番 HCD7083
SKU 632375708320

構成数 : 1枚
合計収録時間 : 01:03:16
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Pocket Full of Blues

      アーティスト: John Hicks

    2. 2.
      My Conception (Prelude)

      アーティスト: John Hicks

    3. 3.
      My Conception

      アーティスト: John Hicks

    4. 4.
      Cable Car

      アーティスト: John Hicks

    5. 5.
      Sonny's Ballad

      アーティスト: John Hicks

    6. 6.
      Minor Meeting

      アーティスト: John Hicks

    7. 7.
      I Deal

      アーティスト: John Hicks

    8. 8.
      Sonny's Mood

      アーティスト: John Hicks

    9. 9.
      Sonny's Crib

      アーティスト: John Hicks

    10. 10.
      Angel With a Briefcase

      アーティスト: John Hicks

    11. 11.
      Clark Bar Blues

      アーティスト: John Hicks

    12. 12.
      Sonny Side Up

      アーティスト: John Hicks

    13. 13.
      A Sonny Day

      アーティスト: John Hicks

作品の情報

メイン
アーティスト: John Hicks

その他
プロデューサー: Cecil Brooks III
アーティスト: Dwayne Dolphin; Cecil Brooks III
エンジニア: David Baker

商品の紹介

John Hicks' fourth CD in a series honoring pianists and composers who were from the greater Pittsburgh area salutes Sonny Clark, whose contributions have been somewhat overlooked since his premature death in 1963. Joined by bassist Dwayne Burno and drummer Cecil Brooks III, Hicks adds several originals -- which complement but don't attempt to mimic Clark's style -- in addition to his interpretations of Clark's compositions. He adds a lovely introductory original solo piano prelude to precede the easygoing waltz treatment of Clark's "My Conception," while his take of "Cable Car" gives it a Latin flavor. Hicks slows the tempo of Clark's "Minor Meeting" considerably and also winds the piece much tighter, giving it a much darker, bluesy sound than the composer's recordings for Time and Blue Note. Hicks' solo version of "Sonny's Mood" is lush and reflective, while the hard swinging "Sonny's Crib" reveals its roots in gospel music. Hicks, who hung out with Clark, dedicates "Angel With a Briefcase" to the late pianist because of his habit of always carrying one stuffed with manuscripts in progress; this warm solo portrait is followed by Hicks' whimsically titled "Clark Bar Blues," which hard bop fans will no doubt discover to be very tasty. Overall, the desired effect of such a brilliant release is to make one want to obtain earlier CDs by John Hicks and also to look for the original versions by Sonny Clark, if they aren't already in the listener's possession. ~ Ken Dryden
Rovi

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