Rock/Pop
CDアルバム

Captain, The

0.0

販売価格

¥
2,519
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2000年05月15日
国内/輸入 輸入
レーベルVirgin
構成数 1
パッケージ仕様 -
規格品番 CDVIR101
SKU 724352035526

構成数 : 1枚
合計収録時間 : 00:42:35

  1. 1.[CDアルバム]
    1. 1.
      Cry Like a Baby

      アーティスト: Kasey Chambers

    2. 2.
      Captain, The

      アーティスト: Kasey Chambers

    3. 3.
      This Flower

      アーティスト: Kasey Chambers

    4. 4.
      You Got the Car

      アーティスト: Kasey Chambers

    5. 5.
      These Pines

      アーティスト: Kasey Chambers

    6. 6.
      Don't Talk Back

      アーティスト: Kasey Chambers

    7. 7.
      Southern Kind of Life

      アーティスト: Kasey Chambers

    8. 8.
      Mr. Baylis

      アーティスト: Kasey Chambers

    9. 9.
      Hard Way, The

      アーティスト: Kasey Chambers

    10. 10.
      Last Hard Bible

      アーティスト: Kasey Chambers

    11. 11.
      Don't Go

      アーティスト: Kasey Chambers

    12. 12.
      We're All Gonna Die Someday

      アーティスト: Kasey Chambers

作品の情報

メイン
アーティスト: Kasey Chambers

商品の紹介

In "Southern Kind of Life," a song on her debut album, The Captain, Kasey Chambers convincingly describes a rural Southern upbringing -- poverty stricken and Bible dominated -- and since she performs in a style associated with the Appalachians as developed into commercial country music, it's easy to assume she's singing about the American South. But she isn't; she's singing about the Nullarbor Plain in south-central Australia, where she grew up, apparently listening to a lot of country records. The result is a style that will remind some listeners of Dolly Parton and others of Lucinda Williams, as Chambers, backed by her father and produced by her brother, both of them members of the family's Dead Ringer Band, sings in a breathy voice that breaks expressively. Her tunes tend to be either "I am" songs of self-description like "Southern Kind of Life" and "Cry Like a Baby," accounts of romantic difficulties, or celebrations of life on the road. Though she has a gift for wordplay that favors internal rhyme, her imagery can be trite ("You got the car and I got the break"), and her compositions are less interesting in themselves than in the performances she gives them. Like many young artists, she is still a compendium of her influences rather than a distinct figure unto herself, but The Captain is a sincere effort steeped in the kind of country/folk/rock style that made Lucinda Williams a critical success in the late '90s, and it is likely to attract similar attention. ~ William Ruhlmann|
Rovi

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