| フォーマット | Blu-ray Disc |
| 発売日 | 2024年05月14日 |
| 国内/輸入 | 輸入 |
| レーベル | Criterion Collection |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | CCIN3555BR |
| SKU | 715515296212 |
※日本語字幕無し
構成数 : 1枚
BLU-RAY SPECIAL EDITION FEATURES
・New 4K digital restoration, with uncompressed monaural soundtrack
・Two audio commentaries, one featuring film historian Ian Christie and one featuring film scholar Laura Mulvey
・Introduction by filmmaker Martin Scorsese
・Interview with editor Thelma Schoonmaker
・Documentary about the film's history, featuring interviews with Schoonmaker, Scorsese, and actor Carl Boehm
・Documentary about screenwriter Leo Marks
・Program on the film's restoration
・Trailer
・English subtitles for the deaf and hard of hearing
・PLUS: An essay by author Megan Abbott
New cover by Eric Skillman
Cast
Carl Boehm … Mark Lewis
Moira Shearer … Vivian
Anna Massey … Helen Stephens
Maxine Audley … Mrs. Stephens
Brenda Bruce … Dora
Miles Malleson … Elderly gentleman
Esmond Knight … Arthur Badden
Martin Miller … Dr. Rosen
Bartlett Mullins … Mr. Peters
Michael Goodliffe … Don Jarvis
Jack Watson … Inspector Gregg
Shirley Anne Field … Diane Ashley
Pamela Green … Milly
Nigel Davenport … Sergeant Miller
Michael Powell … Professor A. N. Lewis
Columbia Powell … Young Mark
Credits
Director … Michael Powell
Produced by … Michael Powell
Original story and screenplay by … Leo Marks
Photographed in Eastmancolor by … Otto Heller
Editor … Noreen Ackland
Art director … Arthur Lawson
Music composed and directed by … Brian Easdale
United Kingdom
1960
101 minutes
Color
1.66:1
English
Having brought British cinema into exalted realms of fantasy and imagination, Michael Powell took a dark detour into obsession, voyeurism, and violence with this groundbreaking metacinematic investigation into the mechanics of fear. Armed with his killer camera, photographer and filmmaker Mark Lewis (Carl Boehm) unleashes the traumas of his childhood by murdering women and recording their deaths-until he falls for his downstairs neighbor, and finds himself struggling against his dark compulsions. Received with revulsion upon its release only to be reclaimed as a masterpiece, the endlessly analyzed, still-shocking Peeping Tom dares viewers to confront their own relationship to the violence on-screen.

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