ショッピングカート
Rock/Pop
CD
Everyday
★★★★★
★★★★★
0.0

在庫状況 について

商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入

パッケージ仕様

-

発売日

2001年11月20日

規格品番

826262

レーベル

SKU

766488252620

作品の情報
メイン
アーティスト
ゲスト
アーティスト
商品の紹介
Rolling Stone (3/15/01, pp.77-8) - 3.5 stars out of 5 - "...All blinding chrome and fat swagger, superbuffed throwbacks to 1980s arena-rock convention....There is just enough sour questioning and irritation in Matthew's delivery to keep the radio candy from melting..."
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:00:00

Dave Matthews Band: Dave Matthews (vocals, acoustic & electric guitars, baritone guitar); Leroi Moore (flute, contra bass clarinet, alto & tenor saxophone, background vocals); Boyd Tinsley (violin, background vocals); Stefan Lessard (electric bass); Carter Beauford (vibraphone, drums, bongos, congas, background vocals). Additional personnel: Vusi Mahlasela (vocals); Carlos Santana (electric guitar); Glen Ballard (keyboards, programming). Recorded at Conway Studios, Hollywood, California. "The Space Between" was nominated for the 2002 Grammy Award for Best Rock Performance By A Duo Or Group With Vocal. This Swedish edition includes a bonus CD. The hugely successful EVERYDAY is a testament to the Dave Matthews Band's persistence and self-awareness in sticking with a sound and style of music that has changed little since its inception. With the exception of certain production flourishes and a more direct approach in the songs' presentation, it's an album that the band could have made anytime in the past decade, which is of course the secret of the band's success--it consistently delivers exactly what's required. And some of what's required this time round is an infectious, sexy shuffle in the form of "When the World Ends," which is about hot sex at the apocalypse (sample lyric: "your legs don't work 'cos you want me so"), a stadium-sized Bic-ballad in "The Space Between," the Matthews specialty stream of consciousness "Dreams of Our Fathers," and a Spanish-tinged "Mother Father" featuring, you've guessed it, Carlos Santana, on flamenco-inflected guitar. Carter Beauford is, as always, a one-man drum tutorial, and Matthews plays the stoner troubadour to perfection throughout. While the hot jamming is somewhat truncated on this outing, it's more than compensated for by the album's focused feel.

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