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DVD/ブルーレイ
Blu-ray Disc

Martin Scorsese's World Cinema Project No. 5 (Criterion Collection)

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15,490
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発送目安
14日~35日
フォーマット Blu-ray Disc
発売日 2026年01月20日
国内/輸入 輸入
レーベルCriterion Collection
構成数 3
パッケージ仕様 -
規格品番 CCIN3766BR
SKU 715515327213

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構成数 : 3枚

Films In This Set
『Chronicle of the Years of Fire(くすぶりの年代の記録)』Mohammed Lakhdar-Hamina(1975)
『Yam Daabo』Idrissa Ouedraogo(1986)
『Kummatty(魔法使いのおじいさん)』G. Aravindan(1979)
『The Fall of Otrar』Ardak Amirkulov(1991)

THREE-BLU-RAY SPECIAL EDITION FEATURES
・4K digital restorations of Chronicle of the Years of Fire, Yam Daabo, Kummatty, and The Fall of Otrar, overseen by The Film Foundation's World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtracks
・New introductions to the films by World Cinema Project founder Martin Scorsese
・New interviews featuring film scholar and producer Ahmed Bedjaoui (on Chronicle of the Years of Fire); film and African-studies scholar Aboubakar Sanogo (on Yam Daabo); and photographer Ramu Aravindan, director G. Aravindan's son, and film editor and festival programmer Bina Paul (on Kummatty)
・The Making of "The Fall of Otrar," a new program featuring interviews with director Ardak Amirkulov, actor Tungyshbai Dzhamankulov, art director Umirzak Shmanov, and film critic Gulnara Abikeyeva
・Updated English subtitle translations
・PLUS: Essays by critics and scholars Joseph Fahim, Chrystel Oloukoi, Ratik Asokan, and Kent Jones

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Established by Martin Scorsese in 2007, the World Cinema Project has maintained a fierce commitment to preserving and presenting masterpieces from around the globe, with a growing roster of more than sixty restorations of works by essential filmmakers. This collector's set gathers four groundbreaking and innovative films, ranging from the epic to the intimate, from Algeria (Chronicle of the Years of Fire), Burkina Faso (Yam Daabo), India (Kummatty), and Kazakhstan (The Fall of Otrar). Each title is a significant contribution to the art form and a window onto a cinematic tradition that international audiences previously had limited opportunities to experience.

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