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Arthur Or The Decline And Fall Of The British Empire

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フォーマット CDアルバム
発売日 1998年04月22日
国内/輸入 輸入
レーベルEssential!
構成数 1
パッケージ仕様 -
規格品番 ESMCD511
SKU 5017615851120

構成数 : 1枚
合計収録時間 : 01:19:20
Full title: Arthur Or The Decline And Fall Of The British Empire.
The Kinks: Ray Davies (vocals, guitar, piano); Dave Davies (vocals, guitar); John Dalton (bass); Mick Avory (drums).
Recorded at Pye Studios, London, England.
After the commercial failure of VILLAGE GREEN PRESERVATION SOCIETY, the Kinks could have gone one of two ways. They could have forgotten about making cohesive, "veddy British" albums and gone back to simply putting together album-length collections of unrelated songs. Or they could have moved from concept albums to full-fledged rock operas, full of third-person tunes that would enable Ray Davies to further distance himself from his audience.
They chose the latter, earning themselves a solid core of new fans along the way. The pleasure of ARTHUR is that, while it shows the Kinks' readiness to tackle the rock opera form, it retains a close connection with their more pop-oriented past. Opener "Victoria" remained a concert favorite for years afterwards, while the delicate "Shangri-La" likewise took on a life of its own outside the rock-opera format. Clearly, the group had more creativity at this point than it knew what to do with. ARTHUR is probably the only album that you could play for a fan of the pop Kinks and a fan of the theatrical Kinks and please both.

  1. 1.[CDアルバム]
    1. 1.
      Victoria

      アーティスト: The Kinks

    2. 2.
      Yes Sir, No Sir

      アーティスト: The Kinks

    3. 3.
      Some Mother's Son

      アーティスト: The Kinks

    4. 4.
      Drivin'

      アーティスト: The Kinks

    5. 5.
      Brainwashed

      アーティスト: The Kinks

    6. 6.
      Australia

      アーティスト: The Kinks

    7. 7.
      Shangri-La

      アーティスト: The Kinks

    8. 8.
      Mr. Churchill Says

      アーティスト: The Kinks

    9. 9.
      She's Bought a Hat Like Princess Marina

      アーティスト: The Kinks

    10. 10.
      Young and Innocent Days

      アーティスト: The Kinks

    11. 11.
      Nothing to Say

      アーティスト: The Kinks

    12. 12.
      Arthur

      アーティスト: The Kinks

    13. 13.
      Plastic Man

      アーティスト: The Kinks

    14. 14.
      King Kong

      アーティスト: The Kinks

    15. 15.
      Drivin'

      アーティスト: The Kinks

    16. 16.
      Mindless Child of Motherhood

      アーティスト: The Kinks

    17. 17.
      This Man He Weeps Tonight

      アーティスト: The Kinks

    18. 18.
      Plastic Man

      アーティスト: The Kinks

    19. 19.
      Mindless Child of Motherhood

      アーティスト: The Kinks

    20. 20.
      This Man He Weeps Tonight

      アーティスト: The Kinks

    21. 21.
      She's Bought a Hat Like Princess Marina

      アーティスト: The Kinks

    22. 22.
      Mr. Shoemakers Daughter

      アーティスト: The Kinks

作品の情報

メイン
アーティスト: The Kinks

その他
プロデューサー: Ray Davies

オリジナル発売日:1968年

商品の紹介

Rolling Stone - "...An incredible album, the band in their finest form, turning it in from start to finish...a masterpiece on every level: Ray Davies' finest hour, the Kinks' supreme achievement." Rolling Stone - 4 stars out of 5 - "...ARTHUR sounds like a quiet masterpiece....Davies' tunes are spilling over with ideas and melodies..." Rolling Stone (3/6/03, p.73) - 4 stars out of 5 - "...ARTHUR sounds like a quiet masterpiece....Davies' tunes are spilling over with ideas and melodies..." Rolling Stone (11/1/69, p.38) - "...An incredible album, the band in their finest form, turning it in from start to finish...a masterpiece on every level: Ray Davies' finest hour, the Kinks' supreme achievement."
Rovi

After the commercial failure of VILLAGE GREEN PRESERVATION SOCIETY, the Kinks could have gone one of two ways. They could have forgotten about making cohesive, "veddy British" albums and gone back to simply putting together album-length collections of unrelated songs. Or they could have moved from concept albums to full-fledged rock operas, full of third-person tunes that would enable Ray Davies to further distance himself from his audience.
They chose the latter, earning themselves a solid core of new fans along the way. The pleasure of ARTHUR is that, while it shows the Kinks' readiness to tackle the rock opera form, it retains a close connection with their more pop-oriented past. Opener "Victoria" remained a concert favourite for years afterwards, while the delicate "Shangri-La" likewise took on a life of its own outside the rock-opera format. Clearly, the group had more creativity at this point than it knew what to do with. ARTHUR is probably the only album that you could play for a fan of the pop Kinks and a fan of the theatrical Kinks and please both.|
Rovi

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