13 Hillbilly Giants

Spin (2/02, p.110) - 7 out of 10 - "...Superbly chosen, performed with muscle, and a worthy corrective to country's dangerous respectability..." CMJ (11-12/01, p.76) - "...Fulks comes off like Lyle Lovett with fewer cuddly idiosyncrasies....this is music that is vital and contemporary..."

Many will interpret 13 Hillbilly Giants as Robbie Fulks' return to the alternative country fold after an experiment or two in pop and rock. And what better way to return than to record 13 classic, if lesser-known, country music songs? The simple arrangements, straight from a two-track tape, give songs like Frankie Miller's "Family Man" a natural feel. Equally uncomplicated is Fulks' production, mixing fiddles, mandolins, and dobros to the left and right channels and leaving his voice front and center. The material runs the gauntlet, from drinking songs like Bill Anderson's "Cocktails" to heart-wrenching weepers like Dolly Parton's "Jeannie's Afraid of the Dark." Fulks proves quite versatile vocally, though he perhaps gets carried away with a crying jag in "I Want to Be Mama'D" and the comic histrionics in "Knot Hole." There's a lovely, sad version of "Bury the Bottle With Me," the story of a man who recounts his hell-bent tale as he looks over his own grave, and a marvelous take on the lust-driven ballad "Burn on Love Fire." It should also be mentioned that Donna Fulks offers fine harmony and background vocals on songs like "Cocktails." Fulks says in the liner notes that he wanted to introduce his audience to older country music on 13 Hillbilly Giants. Toward this goal he succeeds, offering a piece of hillbilly history tailor-made for the alternative country crowd. ~ Ronnie D. Lankford, Jr.

オーセンティックなホンキートンクから都市型パワー・ポップまでを取り混ぜるその卓越したセンスとリアリティー溢れる歌詞で、〈オルタナ・カントリー界のエルヴィス・コステロ〉と名高いロビー・フォルクス。新作は、自身のルーツであるヒルビリーのカヴァー集です。が、そこはひと筋縄ではいかない彼のこと、ジミー・アーノルドら意表を突く人選に思わずムムッ!で、節回しの効いたヴォーカルとアップライト・ベース・サウンドが新鮮!
bounce (C)牧野孝彦