Hatfield and the North

Pip Pyle(drs)・ Phil Miller(g)・Dave Sinclair(key)らによって'72年の秋に結成され、後にCARAVAN/CAMELで活躍したRichard Sinclair(b/vo)や'80年代にヒット・シングルを連発するポップ・デュオSTEWART & GASKINで大活躍するDave Stewart(key)らも参加した、カンタベリー・シーンを代表するスーパー・グループ:HATFIELD AND THE NORTHの'74年デビュー作がフランス:Museaより'25年アナログリイシュー! カンタベリー・ミュージックならではのユーモラスで遊び心満載な楽曲と、ジャズのイディオムを導入して緻密に練り上げられたテクニカルな演奏が聴く者を魅了する名作です! 当時レーベル・メイトだった元HENRY COWのGeoff Leigh(sax)、Robert Wyatt(vo)がゲスト参加。マスターは新規デジタル・リマスタリング音源を使用。

One of the Canterbury scene's most revered bands, Hatfield and the North made up for the brevity of their career with some fascinating music. Always adventurous, the quartet had the keen sense to realize that only the most hardened jazz fans respond to numerous key changes and exceedingly complex time signatures, and thus enlivened their live set with the odd gnome smashing, suggestive lyrics, and jokey song titles. It worked a charm, with the band quickly amassing a large, loyal following at home in Britain and across the continent. On their eponymous debut, Hatfield stunningly succeeded in translating both their sense of fun and their musical brilliance onto disc. After a bit of light humor, the band slide into "Going Up to People and Tinkling," which glides gloriously across the keys and rhythm shifts. Both "Calyx" and "Aigrette" experiment with vocals as an instrument, while the exuberant "Rifferama" is a master class on the use of riffs. However, it's the expansive "Son of 'There's No Place like Homerton'" that forms the album's centerpiece, a propulsive, keyboard driven piece that still awaits a modern dance troop's attention. ~ Dave Thompson