Soul/Club/Rap
CDアルバム

Re-Entry

0.0

販売価格

¥
2,490
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2009年12月04日
国内/輸入 輸入
レーベルBeat Generation
構成数 1
パッケージ仕様 -
規格品番 BBEBGCD004
SKU 801647120423

構成数 : 1枚
合計収録時間 : 00:56:09
Personnel includes: Marley Marl; Willis (vocals, guitar); Roy Ayers (vocals, Fender Rhodes piano, vibraphone); Edwin Birdsong, The Hemmingways (vocals); Big Daddy Kane, Solo, Seven Shawn, T. Sluggs, Capone, Kevin Brown, Grap Luva, J. Wells, Miss Man (rap vocals); John Benitez (bass); Punchy (drums); Sane, Ken Wood (vinyl scratches). Producers include: Marlon Williams, Easy Mo Bee, 88-Fingers, J-Force. Engineers include: Marlon Williams, George Karras, Dave Darlington. Recorded at House Of Hits, Chestnut Ridge, New York and Paul's Studio, Queens, New York. Personnel: Willis (vocals, guitar); Roy Ayers (vocals, Fender Rhodes piano, vibraphone); Kev Brown, Big Daddy Kane, Capone (vocals). Audio Mixers: Marlon Williams ; Dave Darlington; Marley Marl. Recording information: House of Hits, Chestnut Ridge, NT; Pauls Studio, Queens, NY. Photographer: Visko Hatfield. Unknown Contributor Role: Edwin Birdsong. Arrangers: Monty Burns; Marley Marl; Roy Ayers. At 39 years of age, veteran rap producer Marley Marl's return to recording came as part of the London-based BBE (Barely Breaking Even) label's Beat Generation series. The series was an attempt to reclaim hip-hop from the clutches of overexposure. While Marl hadn't really recorded a true full-length album since his In Control, Vol. 2 in 1991, he remained a fixture in the hip-hop community (and influence on producers like Pete Rock and Jay Dee), producing tracks throughout the '90s for artists such as Capone-N-Noreaga, Rakim, and K Def & Larry O. Marl was directly responsible for putting together the Juice Crew, one of hip-hop's all-time elite teams that included the likes of Roxanne Shante, MC Shan, Big Daddy Kane, Masta Ace, and Biz Markie. The Juice Crew's late-'80s battle for rap supremacy with KRS-One and Boogie Down Productions remains one of the most compelling legends of rap lore. Re-Entry's against-the-grain format just might have won over a few young undergrounders, but it is not extraordinary by any stretch. One would have thought that a super-producer of Marl's caliber would fetch a number of name MCs; this is unfortunately not the case, with the exception of Big Daddy Kane, Capone, and a couple of talented undergrounders. Some of the old Marl magic does resurface on the thuggish "What U Hold Down," and the maestro even branches out on the jazz-funk exploration "Hummin'," which features hip-hop forefather Roy Ayers. Many of the cuts here are just instrumentals that surely smack of filler, but Re-Entry certainly has its moments -- moments that might just have some listeners reminiscing back to the Juice Crew era. ~ M.F. DiBella
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Intro

      アーティスト: Marley Marl

    2. 2.
      Do U Remember

      アーティスト: Marley Marl

    3. 3.
      Three's Company

      アーティスト: Marley Marl

    4. 4.
      Spazz

      アーティスト: Marley Marl

    5. 5.
      Just Funky

      アーティスト: Marley Marl

    6. 6.
      Who's Sicker

      アーティスト: Marley Marl

    7. 7.
      Lost Beat

      アーティスト: Marley Marl

    8. 8.
      Easy Type Shit

      アーティスト: Marley Marl

    9. 9.
      Live Ova Beats

      アーティスト: Marley Marl

    10. 10.
      Foundation Symphony

      アーティスト: Marley Marl

    11. 11.
      So Good

      アーティスト: Marley Marl

    12. 12.
      Hummin'

      アーティスト: Marley Marl

    13. 13.
      Big Faces

      アーティスト: Marley Marl

    14. 14.
      What Ruling Means

      アーティスト: Marley Marl

    15. 15.
      What U Hold Down

      アーティスト: Marley Marl

    16. 16.
      NY, NY

      アーティスト: Marley Marl

作品の情報

メイン
アーティスト: Marley Marl

オリジナル発売日:2001年10月23日

商品の紹介

Rolling Stone (2/28/02, p.61) - "...MArl collaborates brilliantly here with old-schooler Big Daddy Kane, new-jack Capone, and even cosmic jazzbo Roy Ayers..." Vibe (2/02, p.124) - 3.5 discs out of 5 - "...The man's still virile, proving that you don;t need today's gadgetry or cameos to create compelling rap music. you just need well-selected samples arranged in a thoughtful pattern..."
Rovi

At 39 years of age, veteran rap producer Marley Marl's return to recording came as part of the London-based BBE (Barely Breaking Even) label's Beat Generation series. The series was an attempt to reclaim hip-hop from the clutches of overexposure. While Marl hadn't really recorded a true full-length album since his In Control, Vol. 2 in 1991, he remained a fixture in the hip-hop community (and influence on producers like Pete Rock and Jay Dee), producing tracks throughout the '90s for artists such as Capone-N-Noreaga, Rakim, and K Def & Larry O. Marl was directly responsible for putting together the Juice Crew, one of hip-hop's all-time elite teams that included the likes of Roxanne Shante, MC Shan, Big Daddy Kane, Masta Ace, and Biz Markie. The Juice Crew's late-'80s battle for rap supremacy with KRS-One and Boogie Down Productions remains one of the most compelling legends of rap lore. Re-Entry's against-the-grain format just might have won over a few young undergrounders, but it is not extraordinary by any stretch. One would have thought that a super-producer of Marl's caliber would fetch a number of name MCs; this is unfortunately not the case, with the exception of Big Daddy Kane, Capone, and a couple of talented undergrounders. Some of the old Marl magic does resurface on the thuggish "What U Hold Down," and the maestro even branches out on the jazz-funk exploration "Hummin'," which features hip-hop forefather Roy Ayers. Many of the cuts here are just instrumentals that surely smack of filler, but Re-Entry certainly has its moments -- moments that might just have some listeners reminiscing back to the Juice Crew era. ~ M.F. DiBella
Rovi

BBEの名物コンピ・シリーズ〈Beat Generation〉の第4弾は、御大マーリー・マールが登場。前3作までの系譜を損なわないように、いつものサクッとした大ザッパな作りは皆無で、ビートの質感にかなりの変化が見られます。それでもジュース・クルーの同志、ビッグ・ダディー・ケインとの往年の名コンビ復活は、ヒップホップ隆盛期へこのオヤジをトリップさせてくれました。名作『In Control』と聴き比べるとオモロイぞ。
bounce (C)沢村太一郎
タワーレコード(2001年12月号掲載 (P84))

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