Country/Blues
CDアルバム

Ashes

0.0

販売価格

¥
3,190
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2001年09月18日
国内/輸入 輸入
レーベルWolf Moon
構成数 1
パッケージ仕様 -
規格品番 5403
SKU 618106540322

構成数 : 1枚
合計収録時間 : 00:45:58
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Driving Wheel

      アーティスト: Cris Williamson

    2. 2.
      Dust of Egypt

      アーティスト: Cris Williamson

    3. 3.
      Cry, Cry, Cry

      アーティスト: Cris Williamson

    4. 4.
      Lucky Dog

      アーティスト: Cris Williamson

    5. 5.
      House of Bones

      アーティスト: Cris Williamson

    6. 6.
      Ashes

      アーティスト: Cris Williamson

    7. 7.
      Blue Weekend

      アーティスト: Cris Williamson

    8. 8.
      Two Doors

      アーティスト: Cris Williamson

    9. 9.
      The Miracle Worker

      アーティスト: Cris Williamson

    10. 10.
      52 Names for Snow

      アーティスト: Cris Williamson

    11. 11.
      Little Room

      アーティスト: Cris Williamson

    12. 12.
      The Crazies

      アーティスト: Cris Williamson

作品の情報

メイン
アーティスト: Cris Williamson

その他
プロデューサー: Teresa Trull
アーティスト: Bonnie Raitt

商品の紹介

Ashes is Cris Williamson's first new solo studio album in a very long time; her last three studio releases have been duo collections with fellow singer/songwriter Tret Fure. And that seems to be the point of Ashes, its title referring to the mythical Phoenix, which burns up and is reborn in its own ashes. This is Williamson's breakup album. The songs refer to the severing of a romantic relationship of two decades' standing, presumably Williamson's with Fure. That severing has been so painful to the singer that the songs sometimes make it seem like a more fatal tragedy, that the loved one is dead and the singer is struggling to survive and create a new life. But the seventh track, "Blue Weekend," spells out the real circumstances: "Now she's somebody else's girl." Romantic discord is one of the chief inspirations for popular song lyrics, and Williamson's unhappiness has fueled her creativity, resulting in an excellent collection of songs. As usual, she blends folk-rock with Caribbean rhythms. As usual, she is highly self-referential: more than one song looks back to her breakthrough album, The Changer and the Changed. But then, she is at another crossroads in her life and career, and the phrase "the changer and the changed" has new meaning in the context of the split. Ashes is confessional and personal to the point that the listener may feel like he or she is invading the singer's privacy, reading her musical diary from a particularly difficult part of her life. But Williamson has chosen to share that diary unflinchingly, and the result is one of her most affecting albums. ~ William Ruhlmann
Rovi

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