1946-1947

nly decades after his passing (in 1978) did pianist Lennie Tristano finally begin to get the full recognition he deserved. Criticised by some as being "cold", Tristano was misrepresented for years. The welcome collection 1946-1947 illustrates Tristano's ability to render warm versions of standard repertoire and spotlights Tristano's compositional acumen.
In the late 1940s, Tristano had yet to fully develop his unique sound. However, he was always on the cutting edge of jazz improvisation, and his abstract reharmonisation of "I Don't Stand a Ghost of a Chance with You" clearly sets him apart from his peers. On this piece, Tristano's use of harsh dissonance and unresolved cadences breaks from tradition at every turn. Further, his hyper-syncopated line rhythms have more in common with modern jazz than they do with swing. Tristano's original piece "Out on a Limb" showcases his matchless technique; noted for his lengthy phrases, Tristano lets loose with some jaw-dropping extended solo lines on this tune. For those who seek to better understand this inimitable pianist, 1946-1947 is the perfect point of departure.|