Make A Sound＜Black, White, Splatter Vinyl＞

Autopilot Off's 2002 EP debut did not distinguish itself within the big-label, platinum safety-pin pack. Still, it had some solid hooks and posited the New York combo solidly on the side of (slick, but still...) punk revivalism, as opposed to their peers' penchant for billowy, tear-soaked emo heartache. It's taken a while, but underneath its burnished veneer, Autopilot's 2004 full-length does capitalize on the EP's punkish promise. Punkish, since the only thing grating or controversial about Autopilot Off is the order in which they thank their numerous gear and clothing sponsors. Still, the title track and its rousing follower, "Clockwork," expertly water down punk and hardcore, losing the aggression but keeping the urgent melodic pace and triumphant choruses (especially the latter). And "Blind Truth" and first single "What I Want" -- both co-written with punk mercenary Tim Armstrong -- bind ragged guitars and propulsive percussion to Chris Johnson's syrupy vocals. Throughout, Autopilot and producer Greig Nori (Sum 41) retain a rough enough edge in the instrumentation to ensure Warped Tour cred. But they're also attentive to the success reaped by acts like Jimmy Eat World and Trapt, who co-opted volatility in a play for widespread accessibility. Fans of these groups will love Make a Sound, as there's very little filler. And Autopilot Off deserve some credit for at least sounding like they mean it, particularly on the 9/11 meditation "The 12th Day." It'd be nice to hear them without the protective mass marketing salve, because underneath the slickness there's a talented band trying to get out. ~ Johnny Loftus

ここ日本ではサム41やアンドリューW.K.の前座を務め、来日のたびに着実に力を付けてきているオートパイロット・オフ。サム41のフォロアー的イメージの強い彼らだが……いえいえどうして、メジャー・デビューとなる本作は弾ける魅力を存分に、いまの勢いを持て余すことなく詰め込んだ大出世アルバムとなっている。特にミドルテンポの曲では新しい発見が盛りだくさん!!　このクォリティーならヘッドライナーは確実です。
bounce (C)田中 拓宏