| フォーマット | CDアルバム |
| 発売日 | 2001年09月18日 |
| 国内/輸入 | 輸入 |
| レーベル | Big Dada |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 32 |
| SKU | 625978403228 |
構成数 : 1枚
合計収録時間 : 00:57:53
Personnel includes: Roots Manuva, Chali 2na.
Producers: Wayne Bennett, Lord Gosh, Hylton Smythe, Skillamanjaro.
Personnel: Isabelle Dunn (cello, strings).
Audio Mixers: Wayne Bennett; Roots Manuva.
Recording information: Blow's Yard Studios, London, England (2001); Soho Recording Studios (2001).
Just when the British hip-hop community seemed on its last legs, the victim of an over-powerful American marketing machine, Roots Manuva hit the stratosphere with his second record, the nearly Mercury prize-winning Run Come Save Me. A stunning record, it balanced the stark digital soul of British ragga with lurching beats, and Rodney Smith's star-making delivery and wide-ranging repertoire. "Witness (1 Hope)" earned its place as the best British rap single since Tricky's "Aftermath," while "Bashment Boogie," "Hol' It Up," and "Artical" were distinctive, hard-hitting, surprisingly groovy performances. As on his LP debut, Brand New Second Hand, Smith also spent time reflecting on his religious upbringing, with a distinctly unhumorous track ("Sinny Sin Sins," never mind the title) that dealt with his heavily disciplinarian father. And where the productions on debut sounded thin and tame, for Run Come Save Me he hit another level entirely with tracks by either Bennett or RM himself, whose Blow's Yard Studio quickly took its place next to New York's legendary D&D Studios as a home to distinctive underground rap. Roots Manuva handled every type of song with flowing confidence and a bemused air, whether it was a club jam or a message track. ~ John Bush
録音 : ステレオ (Studio)
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