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Rock/Pop
CD
What The Hell Was I Thinking?
★★★★★
★★★★★
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CD

構成数

1

国内/輸入

輸入

パッケージ仕様

-

発売日

2005年06月01日

規格品番

80314

レーベル

SKU

045778031429

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Option (5-6/98) - "...there ain't much of a purely musical nature to recommend here, but there's a wild, wild blues experience here that'll give you something real and raw to ruminate on..."
Rovi
Legend has it that, upon hearing Hank Williams for the first time (while still a child), Hasil Adkins thought the country legend was playing all the instruments himself. It's precisely this miscalculation that convinced Adkins to try such a thing on his own. Since his debut in the 1950s, he has performed mostly as a one-man band, but unfortunately (as this album attests) the sheer novelty of the approach cannot always support the music -- not for any great length of time anyway. What the Hell Was I Thinking? begins fine enough with the losers-always-win sentiments of "Your Memories," and a great first line: "Your memories, they come to see me/'cause they love me/your memories." Adkins' backing (guitar almost in tune, drummer nodding off) has more in common with the bare-bones indie-rock of Beat Happening or the loosest recordings of early Palace than the tradition that produced him. Strumming fractured guitar chords while keeping the beat with some extra appendage on a kick drum/tambourine combo, the singer delivers a series of decimated blues, country, and rockabilly tunes. In a rare moment of lucidity, he steps out of his own crazed juke-joint and into the night to sing the pining "Beautiful Hills." Surprisingly touching, Adkins sounds like another man entirely: the song has the haunting intimacy of Bruce Springsteen's Nebraska. More often however, you are begged to question Adkins' sincerity; so willfully wild is his delivery. His contemporaries (primal country and rockabilly singers like Jerry Lee Lewis and Charlie Feathers), while undeniably electrified and nearly unhinged, were ultimately balanced with an equal amount of restraint. The resulting tension is what drove their music and gave it power. With Adkins, you can hear a conscious attempt to avoid constraint. The result is music at the edge of sanity: potent, but only in very small doses. ~ Nathan Bush
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:36:41

Recorded at the Money Shot, Oxford, Mississippi between October and November 1997. Includes liner notes by Matthew Johnson. Audio Mixer: Bruce Watson . Liner Note Author: Matthew Johnson. Recording information: Money Shot, Oxford, MS (10/1997-11/1997); The Money Shot, Oxford MS (10/1997-11/1997). Photographer: Matthew Johnson. After spending most of the '70s releasing singles on obscure vanity labels, rockabilly legend Hasil Adkins spent most of the '90s regularly releasing full-length albums. On WHAT THE HELL WAS I THINKING (his fifth album overall and first for traditional blues imprint Fat Possum), Adkins isn't as hopped-up as he's been on prior releases. This is no mean feat for someone who sounds as if he's keeping three separate time signatures due to his self-taught, one-man-band style of playing. This time out, Adkins croons considerably more, showing off the enormous influence Hank Williams had on this son of West Virginia coal miners. Songs such as "Your Memories" and "Beautiful Hills" really ring out with emotion and are enhanced by a touch of echo. Of course, Hasil Adkins still has a wild streak in him that gets channeled through the runaway tempo and blaring harmonica of "Stay With Me" and the out-of-tune stomper "Gone Gone Gone," which has Adkins singing like Jerry Lee Lewis on a bender. The oddest number on this album is "Up on Mars," a rambling narrative in which Adkins rambles on and cackles about a trip to the Red Planet while absently hitting dissonant chords.

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