| フォーマット | CDアルバム |
| 発売日 | 1995年09月21日 |
| 国内/輸入 | 輸入 |
| レーベル | Epic |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 67019 |
| SKU | 074646701928 |
構成数 : 1枚
合計収録時間 : 00:49:38
October Project: Mary Fahl (vocals); Marina Belica (vocals, keyboards); David Sabatino (acoustic & electric guitars, vocals); Emil Adler (piano, Harmonium, keyboards, vocals); Julie Flanders.
The Love Sponge: David Davidson, Antoine Silverman, Clara Olsen, Pamela Sixfin (violin); Kristin Wilkinson, Jim Grosjean (viola); Anthony LaMarchina, John Catchings (cello).
Additional personnel: Julie Flanders (spoken vocals); Marc Shulman (electric & acoustic guitars, octave guitar, tiple); John Mark Painter, Jay J. Joyce (guitar); Mickey Raphael (harmonica); Michael Visceglia (bass); Craig Thatcher (drums); Farrell Morris (tubular bells, tambourine); Urbano Sanchez (percussion); Craig Thatcher (drum programming); Terry Jarrosak, Tim Brown (background vocals).
Recorded at Woodland Studio A, Quad Studio and Sound Stage Studio, Nashville, Tennessee from April 24 to May 26, 1995.
All songs written by Julie Flanders and Emil Adler.
Personnel: David Sabatino (vocals, acoustic guitar, electric guitar); Emil Adler (vocals, piano, harmonium, keyboards); Marina Belica (vocals, keyboards); Mary Fahl (vocals); Julie Flanders (spoken vocals); Marc Shulman (guitar, acoustic guitar, electric guitar, tiple); Jay Joyce, John Mark Painter (guitar); Antoine Silverman, Pamela Sixfin, David Davidson (violin); Kristin Wilkinson, Jim Grosjean (viola); John Catchings, Anthony LaMarchina (cello); Mickey Raphael (harmonica); Craig Thatcher (drums, drum programming); Farrell Morris (tambourine, tubular bells); Urbano Sanchez (percussion); Tim Brown (background vocals).
Audio Mixer: David Leonard .
Recording information: QUAD Studio, Nashville, TN (04/24/1995-05/26/1995); Sound Stage Studio, Nashville, TN (04/24/1995-05/26/1995); Woodland Studio A, Nashville, TN (04/24/1995-05/26/1995).
Photographer: Pamela Springsteen.
October Project's second album, like their first, is dominated by gorgeous harmonies and sweeping string arrangements. But it's also a smidge more lively than their self-titled debut -- David Sabatino's guitars are allowed let loose a little more frequently, and the comparatively energetic percussion incorporates a bit of Latin spice. The first single, "Sunday Morning Yellow Sky," combines a typically intense, soaring chorus with an unusually lighthearted jam featuring harmonica and funky guitar riffs. But the meat and potatoes of October Project are still the achingly poignant melodies, tunes so emotionally stoked one can't help but wish to hear them more clearly, or feel them more fully. That can be a bit exhausting after repeated listens, and the keyboard-heavy arrangements are occasionally overwrought, but in proper doses there is no catharsis like October Project. The band broke up after touring in support of this album. Perhaps the next project for tunesmith Emil Adler and his lyricist/playwright wife, Julie Flanders, should involve musical theater. These larger-than-life ballads (and the big voice of lead singer Mary Fahl) would suit the stage well, and would be considerably more compelling than much of the stuff on Broadway. ~ Darryl Cater
録音 : ステレオ (Studio)
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